Monday, September 22, 2014

Review of MULA SA KUNG ANO ANG NOON: Cataclysmic Memories

September 21, 2014




Last 9/11, I got to watch my very first Lav Diaz film, the celebrated four-hour film "Norte: Hangganan ng Kasaysayan" ("Norte: The End of History"). Due to the rarity of his films being shown, I never thought I would ever get to see another one.  Most unexpectedly though, today, I received an invitation to an event commemorating of the lessons of Martial Law in the Philippines, sponsored by SM Lifestyle Entertainment through SM Cinema. I was then able to experience my second Lav Diaz film, the film that recently won the Golden Leopard at the Locano Film Festival, "Mula sa Kung Ano ang Noon" ("From What Is Before").

The film starts in 1970 in a remote unnamed Filipino village. We follow the lives of its inhabitants. Sito Almazan (Perry Dizon) was a ranch hand who gets sacked from his work when three cows were butchered during his watch. Hakob (Reynan Abcede) is an 11-year old boy whom Tata Sito adopted as a baby, who accompanies him at work and while hunting an elusive wild dove. Pacita (Hazel Orencio) is a woman who had dedicated her life to taking care of her physically and mentally disabled sister Joselina (Karenina Haniel). Tony (Roeder Camanag) is the local wine-maker who intrudes on the sisters' lives in more ways than one. Heding (Angelina Kanapi) is an out-of-towner who settled in the village as a busybody peddler, not only of house wares, but also malicious rumors.

For the next five and a half hours, we witness their lives unfold and hear their secrets told as mysterious events were happening all over town. Lav Diaz takes his time with his settings, the camera capturing the scene from an empty landscape upon which a small human figure will appear in the distance, walking to the foreground until he exits in a close-up. We will have many scenes like this throughout the film.  Diaz's camera also likes to linger a inordinately long time on his characters as they go about their mundane chores and habits. We will see Sito warding off evil spirits as he walks through the woods, Hakob saving up for a trip to see his parents in Palawan, Pacita giving her sister a sponge bath, Joselina with her repetitive physical tics and facial contortions, Heding invading the privacy of homes. 

I feel the main story could be compressed into a couple of hours, as the last two hours can practically tell the whole story. However, the success of the last two hours is there only because we have three hours before it slowly building up the proper mystic atmosphere and insidious suspense.  Yes, this is Lav Diaz's style of story telling. The revelations are deliberately slow and unexpected. That is what makes these reveals extra special. If they were told straight-forwardly, then these secrets would not have the impact they had on us who had the patience to sit and stick with it through to the end. That climactic scene where we hear the reading of the Declaration of Martial Law was so well-timed. Humor broke the maudlin mood in the most unexpected ways.

However, the last twenty minutes or so of "Mula" was very puzzling for me. I felt the film already had a beautifully emotional ending as we witnessed a funeral pyre catch fire and waited until its flames eventually die out and it floats out of the screen. The voice over narration summed up everything very well. But instead of ending there, we are brought to yet another scene which I felt just went nowhere. I did not get why Lav Diaz decided to end the film that way it did, making the final payback not too satisfying.

Many of the actors in "Mula" were also seen in "Norte", Perry Dizon played Sid Lucero's mentor in "Norte". Here in "Mula", Dizon is Sito, the central character who survives everything thrown at him and swears never to leave his hometown no matter what. Hazel Orencia played Angeli Bayani's loyal sister-in-law in "Norte". Here in "Mula", she had to essay a more difficult role as Pacita, a tortured woman who had to sacrifice her whole life to take care of her invalid sister. This stirring portrayal already earned her the Boccalino de Oro Independent Critics Award for Best Actress award in Locarno.  Angelina Kanapi again plays Heding as an annoying offbeat comic-relief role that will surprise us all. It was her character that got the most audience reaction.

Roeder Camanag is disgusting as Tony, the drunk wine-maker. Joel Saracho is very earnest as Fr. Guido, the dedicated parish priest. Ian Lomongo is chilling as Lt. Perdido, the military commander assigned to set up camp in their village. Young Reynan Abcede is only in his first screen role and he gets great exposure here as Hakob. (Ironically, he was not allowed to watch this screening because it was Rated R-16. He was asked to step out of the theater when the movie started to play, despite pleas from his co-stars.)

The town is very much a character in this film-- its desolation, its poverty, its being at the mercy of the elements. The whole film was practically shot in inclement weather. You can hear and see the wind howling. You can hear and see the rain falling. You can feel the chill in the air. There was mud everywhere. As big strong waves splash all around the sacred rock formation called "Wrecked Face of the Virgin" with great power, this dangerously picturesque locale is a perfect sacrificial altar. Lav Diaz intelligently captures the drama of the location in impeccable black and white, which made details stand out. Shooting this place in color would have come off as drab.

If "Norte" at four hours was not for everyone, "Mula" at five and a half hours is more so. The investment of this length of time for a single film will be too much for most audiences. It remains an acquired taste, even for me. Watching "Norte" first ten days ago prepared me for the Lav Diaz style of film-making. However I cannot really say that I am used to his long slow epic approach. "Mula" had a more languid pacing and had so many extraneous scenes which I felt did not exactly further the progress of storytelling. Serious international cinephiles have already accorded "Mula" their highest accolades, so there is undoubtedly a rare quality in here that will reward viewers if they decide to take on the full challenge of this moving artwork. I still have a lot to learn from films like this. 7/10.




24 comments:

  1. You gave much attention to the way the film was created and your instinct conformed to your views of the movie. Really nice of you to experienced such Filipino films. The 5 hour movie's too much to bear, in my case. Overall, your review's awesome good.

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  2. I watched Lav Diaz's Batang Westside and Ebolusyon ng Isang Pamilayang Pilipino in college. Ebolusyon was crazy! I remember we were in UP the whole day when we watched it.If I remember right it was nearly 10 hours long.

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    1. I am so curious to see Batang West Side since that was Sir Lav's breakthrough film. Ebolusyon is more than 11 hours long, so I really do not know if I can sit through it. How did you like it?

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  3. People of different ages, background and past meet together and tell their stories in this village, so I love the concept and the way this film has been created!

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  4. Ebolusyon is ten hours and 47 minutes at its longest incarnation.

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    1. I read some articles that pegged its length at 11 and a half hours. Stuff that legends are made of. How did you like that film, sir Noel?

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  5. Oh my, I love to see his films, how can we watch these? Where to buy tix?

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  6. I am glad you watched this movie for us, not sure I could manage a 4 hour movie! Sounds amazing and you obviously got a lot out of watching it. Great honest review. Thanks Stephen.

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  7. What a great idea for a movie. It is nice to read about the different stories unfolding and how they mesh together..

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  8. I like revelations to come faster because I tend to feel bored when it's prolonged too much. But when this is the style of the story-teller and you said you liked it, this movie might be worth the time.

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    1. Let's just say I am still acquiring the taste for this type of storytelling. 4 hrs before, 5-1/2 hrs now. Who knows if I can take his 8 or 10 hr films? Only time can tell. :-)

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  9. Sometimes I envy people like you who get to experience real quality films like this. Only the chosen few are given that privilege. From your point of view things are really interesting. And I sure can endure 5 hours and a half if the story gets me glued on my seat the entire time.

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  10. I don't this film will be played in Singapore. Imagine sitting down for so many hours for a film! Gosh... stamina and memory!

    P.S. Your method of one picture with your long review is very different (completely opposite in fact) with my own review where there's a lot of photos.

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  11. I don't know if I can sit in a movie house for more than four hours. Reading the story here seems interesting and even if its slow paced, it does leave you wanting the grand moments.

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  12. Too bad I missed this movie (fuck the typhoon which delayed my pay), but anyway, I admired Lav Diaz's style of storytelling. It complimented the length (entirety) of his project), just like Norte.

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  13. I don't usually watch Filipino movies, but this movie just sounds so thought-provoking! I regret not knowing about this movie sooner! :O

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  14. The director has paid a lot of attention to detail in this movie I think that's why the movie is a 5 hour long.. Honestly it would be difficult for me to sit through such a long time!

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  15. 5-hour movie! Really!? But haven't heard of this one being shown on cinemas...

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  16. 5.5 hrs movie? wow, i probably will not want to catch it in the cinema just because of the long hours.
    but you've given a really good review/ felt like i've also watched part of the movie even though i've hardly heard of Filipino movies.

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  17. There's something about Filipino films nowadays that seem to be capturing the "American" brand. Good to know that there are still movies like these who strive to stick to their true blood.

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  18. Sounds like a great movie! And a cultural experience to understand Philippines better. I would like to invest the five and half hours, hopefully I'll get the chance.

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  19. Never heard of this movie before, sounds nice!

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  20. I like that you gave a very thorough description of the film. I am most interested about you describing the town as a character. I mean it's not just a setting, but a big part of the cast as well.

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