January 8, 2014
One night, Queen Alcmene was ravished by the god Zeus. From this union, she would give birth to a boy whom his (step-)father King Amphityrion named Alcides. Later in life, the boy would develop remarkable physique and abilities, taking on the name Hercules. Other than these nominal details though, it seems the rest of this "origins" movie was not derived from the ancient myths at all.
Case in point, mythology told us how angry the goddess Hera was with Hercules because he was a product of Zeus' infidelity, even driving Hercules mad to kill his own children. However in this film, we get a mild resigned Hera. In an Annunciation-like scenario, Hera appears to Alcmene and tells her that Zeus will visit the queen to plant his divine seed in her. It was even Hera who told Alcmene to call the boy Hercules.
The lady love of Hercules in this film, the Princess Hebe from Crete and her entire story line, along with the love triangle with Hercules' inept half-brother Iphicles, is an original conception by the four scriptwriters, of which director Renny Harlin (who never seemed to have recovered after the unfortunate 1995 debacle "Cutthroat Island") was one of them.
Watching "The Legend of Hercules" is like watching a compendium of all the sword-and-sandal films I have ever seen on film. The most dominant elements were from "300". This film in fact looked like a sequel of "300" because of the very similar style of computer graphics used for the sweeping scenery, the big crowds, the complex fight sequences with the stops, slow-motion and splattering liquids. Even the costumes looked like they were straight out of "300" dressing rooms.
We also pick up similarities with the movie "Troy" especially with regards to choreography of the battle scenes. The jumping attack move made classic by Brad Pitt's Achilles was multiplied so many times over in frequency and variation.
About halfway into the film, we will remember "Ben Hur" as Hercules becomes a slave and was made to row an ocean-going sailing vessel in rough waters. Then the film morphs into "Spartacus" or "Gladiator" as Hercules becomes an arena fighter for people's entertainment and gambling.
Later on, we will be reminded of "Samson and Delilah" when Hercules was being whipped while chained to two pillars. At that moment there will be a scene of mocking and divine communication reminiscent of the crucifixion scene from any film about Jesus like "The Passion of the Christ".
It was rather disappointing that we do not get to see familiar Hercules stories such as the "12 Labors", except from a short scene where he slayed an ugly CG animal they called the Nemean Lion. But this was not in the context as the myths tell us.
Anyhow, having a B-list cast with only Kellan Lutz of "Twilight" fame as the most familiar name starring as the titular muscle-bound hero, I guess we really should not expect too much from "The Legend of Hercules," especially in the acting department. Keep your mindset shallow, and you may even enjoy this pure popcorn flick. 5/10.
January 6, 2013
"Pagpag" is the lone horror movie offering in the 2013 Metro Manila Filmfest.
"Pagpag" is the Filipino custom of dropping by another place first before going home after visiting a wake. This was done so that you will not bring the spirit of the dead back to your home. The subtitle "Siyam na Buhay" refers to the belief that one needs to exchange nine souls to be able to bring one dead person back to life.
Leni (Kathryn Bernardo) manages the Heavenly Touch Funeral Parlor which she had inherited from her parents. She was hired by Lucy (Shaina Magdayao) to arrange the wake of her recently-departed husband Roman (Paulo Avelino).
Cedric (Daniel Padilla) is a spoiled rich kid. One day while out on a drive with his friends, he he lost control of his car and almost runs Leni down. While waiting for the tow truck to come, they all wait inside the room where Roman's wake was set up.
Of course, these careless young people act inappropriately at the wake and do not make "pagpag" before they went home. So, as is customary in many horror films, people begin to die one by one. As the death count escalates to seven, Cedric and Leni have to stop the curse before they become the Souls #8 and 9 needed to bring Roman back to life.
Admittedly the way this film was told, it reminded me very much of "Feng Shui" and "The Healing" (my review here or here) as it employs superstitions to trigger the horror. At the wake, each one violates some superstition about behavior in a wake (sweeping, no crying over the coffin, no wiping the coffin, no taking out food from the wake, no looking at mirrors, etc...). Then they would die in a most violent bizarre manner related to the funeral faux pas they committed.
Since the leads of this film are the most popular teen stars in local show business, the target audience will be teenagers, hence the terror factor is not too high. In fact this film was even quite funny at times. However, it does not mean that it does not deliver the blood, the creeps and the jumps. It surely did!
Daniel Padilla and Kathryn Bernardo both did well in their lead roles. They had charming chemistry together, They knew how to play for their "My Princess and I" and "Got to Believe" fan base with their "kilig" scenes. Their characters were more reactive than proactive though.
Matet de Leon (as Lucy's knowledgeable Ate Eva) and Janus del Prado (as Leni's bumbling drunkard Tiyo Dencio) stand out in their supporting roles. Clarence Delgado was very cute as Leni's adopted brother Macmac. Paulo Avelino plays yet another brooding and tormented character as distraught family man and ghost, Roman.
There were some noted lapses in continuity (Are Leni's roses on the car hood or on the street? Why the inconsistent number of stick figures on the sheet of paper?) or annoying advertising for Kakao Talk, but these can be ignored.
Overall, I thought this was a very well-made horror flick, with above-average (by Philippine standards) ideas and special effects when it came to the gruesome death scenes and ghostly apparitions. Director Frasco Santos Mortiz does well to balance the horror and the comedy elements into one entertaining film, not only for its intended demographic. 7/10.
January 5, 2013
I was a fan of the first Kimmy Dora film in 2009. It was refreshing and entertaining. It felt like the level of Pinoy slapstick had been upgraded. My review of that film was posted HERE. I was not able to see the second installment last year, which had been given a horror slant.
This third film was supposed to have been a prequel. Kimmy and Dora had just graduated from college. They start to work in their father's mega- corporation. Top executives Brigitte (Angel Aquino), Curtis (Joel Torre) and the HR Head Rodin (Sam Milby) implement a program for them to start working from the bottom as guards or car park cashiers.
However, there is a malevolent hooded figure named Bogart who wreaks havoc in the Go Dong Hae franchises from their fast food to their airline, threatening to totally destroy the company if they do not give him 1 Billion Euro. How can the sisters save their empire from totally collapsing around them?
This film has all the ingredients that made the first film successful. There were all those absurd situations the sisters get themselves into. There were still those multiple cameos by several big name stars, which were quite amusing. There was of course the consistently on-point, unabashedly slapstick portrayal of the talented Ms. Eugene Domingo of the twins.
But then again, unlike the innovative novelty that made the first film remarkable, there was really nothing much that is new to see in this one. Even the humor factor seemed oddly limited already.
This film felt furthest from being a prequel it is intended to be. Instead of events looking like they happened in the past, this film ironically looks like it is set way ahead of this time.
The sets, props and costumes of this film looked outlandishly more futuristic than the first film. The first film did not strike me to be set that far in the future at all, to make this film to be set today with tablets and Candy Crush. There will even be fantastic gadgetry of science-fiction quality here, from a wave-screen conference room table to remote brain-control technology, that would seem anachronistic in the intended timeline of this trilogy. (The production design crew should be commended for their efforts.)
Eugene Domingo looks older here. Her Kimmy did not look like a fresh Cambridge graduate, nor did her Dora look more childish. The make-up and visual effects departments were not able to create Benjamin Button-like miraculous illusions for her.
Or maybe it is simply because the characters were already getting too tired and repetitive for their respective shticks? Make no mistake, Ms. Domingo was still very funny, but this joke may have already reached its expiration date. Perhaps it is now time to retire Kimmy and Dora while we still love them. 5/10.
December 31, 2013
According to my record, I had written 151 movie reviews this year. That is a big increase from the 84 I wrote last year. I have been more aware of schedules of local indie film festivals which really made a big impact in 2013. Several local films made it into my top list this year.
This year marks a milestone for my blogging because my movie reviews are now being picked up and posted on ABS-CBNNews.com! As of this writing, a total of 58 of my reviews have made it on the pages of the most popular local news website. Among my most read reviews published on ABS-CBNNews.com were those of "The Conjuring" (LINK) and "10,000 Hours" (LINK).
For this list, I had not included the 23 articles written about films which had been released in 2012 or earlier, but I had only seen in 2013. These were mostly the Oscar winning films released in December 2012, but only hit local theaters in 2013.
Potential Oscar-winning films of this year which will only be shown in January 2014 locally are also not included here, like "American Hustle," "12 Years a Slave," "Her," "Nebraska," etc...
Honorable Mentions (11-20)
20. Now You See Me (Full review)
19. Mga Anino ng Kahapon (Full review, ABS-CBN)
18. Tuhog (Full review, ABS-CBN)
17. Sana Dati (Full review, ABS-CBN)
16. Before Midnight (Full review)
15. Man of Steel (Full review)
14, The Hobbit: Desolation of Smaug (Full review)
13. Frozen (Full review, ABS-CBN)
12. The Conjuring (Full review, ABS-CBN)
11. Ekstra (Full review, ABS-CBN)
Here are the 10 Best Films of 2013 that I have seen and written about:
10. Ilo Ilo (Full review, ABS-CBN)
To help with the household chores and to take care of son Jiale, a middle-class Singaporean couple decide to hire a maid from the Philippines, Teresa (Angeli Bayani). It was a huge challenge for Terry to get integrated into the family system and into Jiale's troubled life, but she eventually does. But as the Lims (Yeo Yan Yan and Tian Wen Chen) experience escalating monetary woes, they need to make an important decision about Terry.
The actors were all subdued in their acting, which makes the performances so realistic. You can feel that the intentions of the film and its director Anthony Chen were only modest, but the sincerity is very palpable, and that is what makes the film connect so well with its audiences. 9/10.
9. Oblivion (my full review)
The setting is the future after aliens have destroyed the Earth. Jack Harper (Tom Cruise) is a technician who fixes drones or "Wall- E"-like flying robot police gofers of that time. A female crew member of a pod that crash-landed named Julia (Olga Kurylenko), and a band of human rebels (led by Morgan Freeman and Nikolaj Coster-Waldau) gives Jack an insight on his real nature
Writer-director Joseph Kosinski really had a good story and he tells it very well indeed. He knows how to maximize the talents of his crew to create this audacious yet reflective sci-fi masterpiece. 9/10.
8. The Hunger Games: Catching Fire (Full review, ABS-CBN)
In celebration of the 75th year of the Hunger Games, previous Victors (one male and one female) from each District to fight in another games to the death called the Quarter Quell. Being the only female Victor of District 12, Katniss Everdeen (Jennifer Lawrence) was an automatic contestant, and the odds were stacked against her favor. How will the results of this special edition of the Hunger Games affect the revolution already catching fire outside the Capitol walls?
This film tackles serious political topics very well, simplified for its young target audience, but not in a way that insults more mature viewers. This is a perfectly-made bridging film by director Francis Lawrence. It stands very well on its own merits, as much as it guarantees that the next two films in the franchise will be blockbusters. 9/10.
7. 10,000 Hours (Full review, ABS-CBN)
As his warrant of arrest was being served, Sen. Gabriel Alcaraz (Robin Padilla) was able to elude authorities led by Gen. Dante Cristobal (Michael de Mesa) with the help of an aggressive news reporter Maya Limchauco (Bela Padilla). He manages to make his way to Amsterdam to hide out, but back home, his wife Anna (Mylene Dizon) and children bear the consequential backlash of his controversial escape. The title "10,000 Hours" refers to the number of hours Alcaraz was on the lam.
This was a very well-crafted Filipino film of a quality that is rarely seen. The technical aspect was flawless, impressively by an almost all-female behind-the-scenes crew. Bb. Joyce Bernal assuredly assembles and delivers to us a final product of such fine quality that elevates her craft high and above all the rom-coms she is more known for. 9/10.
6. The Great Gatsby (Full review)
A man named Jay Gatsby (Leonardo di Caprio) moves heaven and earth, building his immense wealth from practically nothing, to be with Daisy (Carey Mulligan), the woman he adored. Unfortunately, Daisy had married wealthy Tom Buchanan (Joel Edgerton) because she believed rich girls cannot marry poor boys.
This film is a vast improvement over the 1974 film. The use of flashbacks in this current version to show us more about the history of Gatsby as a boy and young man was really helpful to understand where he was coming from. You will really notice director Baz Luhrmann's touch in the lavish and opulent parties that Gatsby held in his West Egg mansion and in the musical soundtrack department. 9/10.
5. Rush (Full review, ABS-CBN)
During the 1976 F1 season, the very serious Niki Lauda (Daniel Bruhl) was leading all the way on total points until a devastating event threatened not only his crown, but his life. Can Niki summon enough will to fight the mortal odds and recover in order to race to the finish, or will the charismatic James Hunt (Chris Hemsworth) just be handed the cup of his dreams on a silver platter?
Even if I did not know Lauda and Hunt, I was drawn into their story complete with all the ingredients of epic action, drama, and romance. Director Ron Howard does not lose control of his material as everything fell in its right place in the gripping final cut of the film. 9/10.
4. On The Job (Full review)
Mario (Joel Torre) and Daniel (Gerald Anderson) are convicts who are being sneaked out of prison and hired as hitmen by a powerful highly-connected syndicate. After they bungle a job to execute a policeman, the secure web of protection around them begin to unravel as an idealistic NBI lawyer Francis Coronel Jr. (Piolo Pascual) and a maverick but sincere policeman PO1 Joaquin Acosta (Joey Marquez) threaten to throw this assassination ring wide open up to its highest levels.
The technical aspects of the film are outstanding, particularly the cinematography and the film editing. The atmosphere created by director Erik Matti was very tense and exciting. The suspense was heart-pounding as the pace is frenetic, and you would not know what will happen with succeeding scenes. This film is NOT predictable. 9/10.
3. Badil (Full review, ABS-CBN)
In a small island barangay in Samar on the day before local elections, Mang Ponso (Dick Israel) is working hard to ensure his candidate, the incumbent Mayor Del Mundo, wins by making sure their sworn supporters vote as they promise. Because of Ponso's physical disabilities brought about by a recent stroke, his eldest son Lando (Jhong Hilario) has to fill in his father's duties, exposing him to the seedy underbelly of local grassroots politics, where MONEY does all the talking.
The script of Rody Vera was so well-written, so gritty, down-to-earth, natural, and educational as well. Director Chito Rono proves that even with a limited budget of P1.5M from the Film Development Council of the Philippines, one can create a film with beautiful cinematography, exciting editing, artistic depth and national significance. Now that is a true Master. 9/10.
2. Star Trek Into Darkness (Full review)
The key scenes between Kirk and Spock were essayed so well by Chris Pine and Zachary Quinto. I enjoyed the interaction and the cooperation among the crew, each with their own talents. Simon Pegg (as Scotty) and Karl Urban (as Dr. Bones) particularly stand out. The antagonist is a super- soldier first known as Harrison. Upcoming actor Benjamin Cumberbatch portrays this super-villain with amazing screen presence and convincing menace.
Director JJ Abrams has come up with a movie that will satisfy both old and new fans of this revered franchise. It covers all aspects of the Star Trek that makes it the long-lasting popular favorite that it is: the teamwork, the adventure, the action, the drama, and yes, the humor, all are still definitely there. 10/10.
1. Gravity (Full review, ABS-CBN)
"Gravity" tells of the unenviable situation experienced by medical engineer Dr. Ryan Stone (Sandra Bullock) and her astronaut mission commander Matt Kowalski (George Clooney) when an accidental disaster caused by a shower of satellite debris destroys their space station, leaving them floating in deep space.
Director Alfonso Cuaron has created a masterpiece that knows when to move for excitement and when to stop for meditation. We enjoy the breathtaking ride through the dangerous outer frontiers. We also get to look inwards to the essence of our own minuscule humanity in stark contrast to the vastness of the universe. We will feel agoraphobia and claustrophobia at the same time while Stone and Kowalski struggle to keep themselves alive. 10/10.
********************
* My Top 10 of 2012 is posted HERE.
** My Top 10 of 2011 is posted HERE.
December 28, 2013
I only had a fleeting glimpse of a TV ad of "10,000 Hours" and those few seconds were enough to convince that I had to watch this film. The quality of the cinematography was unlike any Filipino film I had seen before. The whole film more than fulfills its promise.
Philippine Senator Gabriel Molino Alcaraz (Robin Padilla) is about to spill the beans on a pork barrel scam that reaches all the way to the presidency of Genoviva Martinez Obrero (Bibeth Orteza). Instead, he gets implicated in the murder of an NBI director who was his friend.
As his warrant of arrest was being served, Alcaraz was able to elude authorities led by Gen. Dante Cristobal (Michael de Mesa) with the help of an aggressive news reporter Maya Limchauco (Bela Padilla). He manages to make his way to Amsterdam to hide out and to search for a long-lost witness Salvador Jago (Pen Medina) who could clear his name.
Back in the country though, his wife Anna (Mylene Dizon) and children bear the consequential backlash of his controversial escape.
The title "10,000 Hours" refers to the number of hours Alcaraz was on the lam. The plot was obviously inspired by recent real-life political events. However, the film ends with a statement that the events depicted in the film are entirely fictional.
Robin Padilla was entirely in his element as the lawmaker on the run from the law. His acting here was very subdued as the entire treatment of the film required. We see a different Robin here. As he shucks his trademark denims for smart winter wear, and he sports a fresh demeanor free from his old acting tics. His execution of the action scenes were skilled and realistic. Robin dominates this film with his unfading screen presence and charisma.
The other members of the cast do very well in their supporting roles. Standing out were Mylene Dizon as the brave wife who later reaches her breaking point, Cholo Barreto as the eldest son Benjo who had to bear the brunt of the family shame, Carla Humphries as the Amsterdam contact Isabelle, Michael de Mesa as the old friend turned pursuer, and Pen Medina as the former police asset turned vital witness.
Bela Padilla plays the lady reporter Maya, who had her own ulterior motives for helping the senator. Despite her beauty, I felt she was not able to project enough maturity to be believable as her character. Maybe an actress a little older than Bela could have tackled this critical role better. Her interaction with her goofy cameraman Jerome (Ketchup Eusebio) also could have been better.
I felt "10,000 Hours" was a very well-crafted Filipino film of a quality that is rarely seen. The technical aspect was flawless, impressively by an almost all-female behind-the-scenes crew. The screenplay written by Ryllah Epifania Berico and Keiko Aquino was practically perfect as it neatly told a story that spanned nearly three decades interconnecting multiple generations of characters.
The imported-looking photography of the film by Marissa Floreindo was resplendent, both in the local and the Amsterdam locations. The film editing by Marya Ignacio was exciting and tense. The music by Teresa Barrozo added much to the suspenseful atmosphere of the film. Director Bb. Joyce Bernal assuredly assembles and delivers to us a final product of such fine quality that elevates her craft high and above all the rom-coms she is more known for.
It fully deserves the A-rating given by the Film Evaluation Board. I wish more people would watch movies like this, so that more of them could be made. 9/10.
December 26, 2013
When I first saw the poster of "Boy Golden" with lead actor Jeorge ER Ejercito sporting that ridiculously fake-looking mustache and beard, it actually discouraged me from watching this. But when I saw that this was directed by Chito S. Rono (whose last work "Badil" was excellent), I decided to give it a chance. This is the first film I watched for this year's Metro Manila Film Festival.
"Boy Golden" is the story of a real-life gangster from the 1960s named Arturo Porcuna. Porcuna, alias Anino, was the head of the notorious Bahala Na Gang. After his release from jail, now using the monicker Boy Golden, he is hot on the trail of the rival gang leader Tony Razon (John Estrada) who was responsible for killing his family and the rape/murder of his sister Baby. With his wealthy benefactor Atty. Dante Sagalongos (Eddie Garcia) and a feisty sexy dancer in distress Marla De Guzman (KC Concepcion) behind him, Boy Golden plots and executes his revenge on Razon, but not without his own losses.
As with his previous MMFF entries as Asiong Salonga and as Emilio Aguinaldo, the problem with the films of Gov. Jeorge Ejercito is himself. He does not really project well as an action star because of his benign visage and un-athletic physique. He also has a rather unrealistic style of acting which tends to go over- the-top. Director Rono was somehow able to down the camp in his acting. Ejercito is lucky that the over-all quality of this film and how technically meticulous it was somehow makes up for his deficiencies as lead star.
Again as before, the veteran supporting cast does more memorable work than the lead.
Eddie Garcia has that easy-going style that made him a popular character actor all these years. He had to endure a particularly harrowing torture scene, surely very difficult for someone of his advanced age. John Estrada we know can play a good villain as from his TV work, and he projects that same sinister charisma here. He has limited screen time though.
Gloria Sevilla (as the gun-toting Aling Puring), Baron Geisler (as the "Twilight"-like Datu Putla), Leo Martinez (as stereotypical Chinaman Mr. Ho), Roi Vinzons (as reckless Alias Tekla) and Dick Israel (as doomed but dignified Boy Bungal) all have their moments of note, as well as hammy melodrama, as members of Razon's gang. .
Special mention has to go to Ms. KC Concepcion for bravely tackling her very daring role as Marla D. It was very daring not only superficially (she had to wear tight, cleavage-baring costumes the whole time), but also physically (she had many intense fight sequences) and emotionally (she actually had to convince us she falls in love with Boy Golden). She is really a striking gorgeous presence here, and commands attention in all the scenes she was in. She may be a contender for Best Actress for this festival.
I have to commend the production designer who really took pains to recreate the 1960s in the houses, the streets, the cars, the costumes and make-up. These sets and little details all brought us back in time. The blood effects did not look very real though. The cinematography was clean, with inventive camera angles. The action sequences were well-executed, even with parkour sequences on rooftops, but these tended to be too long.
The story-telling felt over-stretched though to achieve an "epic" feel, when it could have been more compact. There were parts towards the end that felt bloated and preachy. Less could have been more. I did appreciate the awkward attempts at kitschy humor (like the dancing to Elvis songs among others) to break the film's violent core. That said though, I felt the classification of R-13 was too generous. Given the film's depiction of criminal gang activity with all the attendant blood, gore and violence. I thought an R-16 was more appropriate.
"Boy Golden" is generally well-made gangster movie, but it is not without its flaws. It may be campy and violent, but it was certainly an earnest effort by its cast and crew. 6/10.
December 22, 2013
The Cinemanila International Film Festival has the noble aim of bringing World Cinema to the Philippines and Philippine Cinema to the World. On this its 15th year, the festival is exclusively held at the new SM Aura. Aside from the films in competition, there are also features from World Cinema and South East Asian cinema, including up to seven contenders in the Oscar Best Foreign Film shortlist.
The Danish documentary film "The Act of Killing" is one of the films in the World Cinema category. It is directed by American director Josh Oppenheimer, who had immersed himself in this project for a decade. The final product is nothing less than bizarre.
In the 1960s, Indonesian death squads carried out mass executions mainly of ethnic Chinese immigrants assumed to be communists. In this unbelievable documentary, Oppenheimer was actually able to cajole these real-life killers to talk about and even act out their killing sprees in the guise of a whimsical film project.
Underneath the seemingly innocuous song and dance numbers and the cross- dressing, we vicariously relive the murderous acts as the perpetrators themselves describe and reenact these chilling scenes of murder as they happened years ago.
Strangely, there might be some humor to be felt as these amateur "actors" awkwardly act in front of the camera, talking about their Hollywood pegs. These death squad people relate their heinous deeds lightly and nonchalantly, as if these were totally regular events. However, you are always jolted by the fact that hey, these people actually did these harrowing acts -- stranglings, decapitations, immolations, and more -- for real!
For this unique conceit alone, "The Act of Killing" is an achievement in film making. It was able to permanently record and recreate a most infamous period in Indonesia's recent history with the full cooperation of the very men who were responsible for the reprehensible and cruel acts that marred that time. I am not sure if this type of work is unprecedented, but it is a definitely ground-breaking achievement. The medium of film was created for this. 7/10.
December 20, 2013
This film "Parkland" was made with a color palette purposefully muted to mesh seamlessly with actual news reels about that fateful day of November 22, 1963 in Dallas, Texas. That was the day an assassin's bullet killed beloved US President John F. Kennedy. The title Parkland refers to the name of the hospital where the fallen president was brought for emergency treatment.
This film though was unlike the other films we might have already seen about the Kennedy Assassination. This is definitely not another "JFK" that offers more conspiracy theories. In fact, this movie is not even directly about JFK himself, nor Lee Harvey Oswald or Jack Ruby, who were the major players in this real-life drama. "Parkland" interweaves for us the stories of various individuals who were indirectly dragged into the tragic mess of that day by sheer chance or coincidence.
Abraham Zapruder is a name we always hear when the topic is about the JFK assassination. Of course, his iconic film clip that graphically shows how the fatal bullet hit JFK during his motorcade. But we do not know or see Zapruder himself until this film. As portrayed by Paul Giamatti, his performance was topnotch and stirring as he grappled with the unwanted responsibility of having captured the moment of JFK's death on film.
Forrest Sorrels is a veteran member of the Secret Service who is devastated that his perfect record of protecting his 'Man" had just been broken on that day. Billy Bob Thornton portrays this character with utmost respect and dignity. We also meet other SS men like Roy Kellerman (Tom Welling), with their touching display of utmost loyalty to their fallen leader.
Dr. Charles Jim Carrico was the emergency room-resident on duty that fateful day. Having Zac Efron portray this character was initially distracting because of his star wattage. However, Efron played it very cool despite his character not knowing fully what to do, and being drenched with presidential blood. Colin Hanks played the attending consultant Dr. Matthew Perry, though his screen presence paled beside Efron's. Marcia Gay Harden plays a methodical ER nurse.
James Hosty is an FBI agent who had been investigating about Lee Harvey Oswald prior to the assassination. However, unfortunately he never really thought Oswald could kill JFK. He was played by Ron Livingstone as this person wracked by guilt and conscience as his superiors do not disguise their dismay for his lack of foresight.
Robert Oswald is the brother of Lee Harvey who was ashamed about the role his brother played in American History. James Badge Dale played this character with his internal conflicts out on his sleeve. The Oswald matriarch Margeruite, though, was convincingly played by Jacki Weaver perfectly off - kilter.
The whole film, with its production design so meticulously faithful to that period, looked like a documentary the way it was handled by new director Peter Landesman. This approach may be considered dry or boring for people who are not familiar about these events or these personalities. But for history buffs, baby boomers and Gen X'ers, the novel point of view presented by this film about a very infamous historical incident is very interesting and absorbing. 7/10.
December 19, 2013
Showing in Glorietta 4 Cinema 1 and Megamall Cinema 7 this week is the Metro Manila Film Festival New Wave 2013. This 4-year old indie film festival, a prelude to the long-running local Christmas tradition of MMFF, runs from December 18 to 24. Tickets are priced at only P100 each. There are five official entries this year.
"Mga Anino ng Kahapon" (English title: "Shadows of the Past") is one of them. It has already been Rated A by the Cinema Evaluation Board, giving it advanced buzz. It tackles the very heavy topic of schizophrenia. You have to prepare yourself to be immersed into multiple perspectives of this maligned psychiatric condition.
Ed and Irene are both nurses, married with a young son, Brian. Not long after Ed leaves to work in Dubai, Irene begins to have various progressively strange behaviors, ranging from paranoia about home security to entertaining "house guests" that only she can see. As Irene's condition worsens, her entire family is thrown into a shambles as bad memories from her past, as well as Ed's life, add further pain and drama to what she is going through.
Ms. Agot Isidro, we have always recognized to be an excellent dramatic actress in her roles on television. In this role, she portrayed descent into madness of this wife and mother with delicacy and subtlety. We never really know when she is in a lucid state of mind or not. She certainly did not go all "Sisa" on us. This is a most riveting performance that should merit serious awards consideration.
TJ Trinidad, I took notice of his acting talent when I saw "The Road," and then in "Sana Dati." Here, TJ was again on top of his game, despite the fact that he does not really look like a financially-challenged nurse. As the long-suffering husband of Irene, TJ effectively showed the valiant effort of his character to remain sane for the sake of his family, no matter how frustrating that could be.
Special mention has to go to Carlo Cruz, who played Ed's younger brother Carlo. He had his own important moments in this film. Two of these were among the most memorable in the entire film -- the one where he was eating breakfast with Irene, and another one about his girlfriend Cathy.
I have to say though that viewing this film was not as morbid as the synopsis would have you expect. Director Alvin Yapan, who also wrote the screenplay, tackled this with dignity and restraint, and also with a sense of humor. The sense of suspense hanging throughout the film was gripping, you would not know what to expect next. The photography was excellently dramatic, with some intense close-ups loaded with meaning. Aside from schizophrenia, the story touched also on various local issues as diverse as OFWs to Martial Law.
This is a small movie for a seemingly limited audience, but its message, though depressing, is socially-relevant and deserves to be tackled in film and widely seen. The problems with schizophrenia patients were vividly shown here, and people need to know these things in order to empathize with them and their families. There is no stereotype here, just a real and compassionate portrayal of a debilitating and much stigmatized mental condition. 8/10
December 15, 2013
THE HOBBIT 1: An Unexpected Journey
I did not watch this film when it was first shown last year. Honestly, the Hobbits were not exactly my favorite among the characters of the original Lord of the Rings trilogy of films. So why was I going to watch a long three-hour movie all about a Hobbit?! However, now that there is buzz about the second film being shown in cinemas this week, I have decided to watch this first film finally in order to watch its well-reviewed sequel.
It turns out "The Hobbit" is really about only ONE Hobbit, Bilbo Baggins. Aside from the Grey Wizard Gandalf, the rest of the characters going on the titular "Unexpected Journey" are actually Dwarfs. The journey was made to help the Dwarf warrior Thorin recover the lost Dwarf Kingdom Erebor from under the control of the dragon Smaug (that is the name in the sequel's title).
On this journey, they will encounter Goblins and Orcs who will imperil them in various spectacular elaborately-executed, yet obviously computer generated battles scenarios. Every member of the quest group seemed to have charmed lives the way they escape even the most precarious and deadly situations. These action scenes were fun to watch in their video-game-like presentations, though they went on a tad too long.
There will also be quiet scenes, and these were actually more effective. Gandalf will have an audience of Lady Galadriel in Riverdell. And in the best part of the film, Bilbo will encounter Gollum, and we will witness how the Hobbit gains possession of Gollum's "preciousssss" Ring. This was THE big moment of the whole film though it only comes after the second hour already, when you may already be zoned off since nothing of any big significance happened before this iconic scene.
This first film really just prepared us for this second film when they will actually encounter Smaug. OK, now I am ready to watch Part II. 7/10.
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THE HOBBIT 2: The Desolation of Smaug
I'm glad I was able to watch the first Hobbit film before watching this film. This sequel did not really go into much detail in reviewing the past episode for the benefit of those who missed it. Though you may eventually pick the story up if you were astute, but those with less concentration may get lost.
"The Desolation of Smaug" picks up from the first film. While Gandalf (Ian Mc Kellen) went looking for the Necromancer in Dor Guldur, our titular hobbit Bilbo Baggins (Martin Freeman) and the 13 Dwarfs led by Thorin (Richard Armitage) continue on their quest to the Lonely Mountain to reclaim the lost Dwarf kingdom of Erebor. Along the way, they encounter deadly Orcs, Giant Spiders and Elves who give them a harrowing time. With the help of Bard (Luke Evans), a human from Laketown, they reach their destination and encounter Smaug, the fire-breathing dragon that had taken over the Dwarfs' old realm.
Again like the first film, there are several memorable action sequences that make this a film to enjoy and remember. That scene with the vicious Giant Spiders will chill your spine, though it admittedly was too long for comfort. Then there was that entertaining and breathtaking sequence where the Dwarfs were escaping in wooden barrels down a river while being attacked by Orcs, as the elegant Legolas (Orlando Bloom) and she-elf Tauriel (Evangeline Lilly) come to their aid with their awesomely graceful archery and fighting skills.
If the highlight of the first film was the encounter of Bilbo and Gollum, in this film it was the encounter of Bilbo and the dragon Smaug The special visual effect that was Smaug was very convincing that this was a living breathing beast. Its voice, lent by the versatile Benjamin Cumberbatch, is tauntingly sinister and evil. That entire last hour with Smaug as the Dwarfs were doing all they can within their ingenuity and ability to kill him was worth the price of admission in itself. (On retrospect though, all of this fighting had actually been all for naught, since the dwarves knew very well what was needed to kill the dragon, and they do not have that particular weapon with them.)
The story telling of Peter Jackson dragged or stretched on a lot of occasions during the film, but you will eventually get your bearings straight when the next scene comes on. Editing could have been more judicious. A romance angle was introduced by Jackson where there was none in the book, which though not really necessary, was not distracting at all from the main story. Cinematography was topnotch as production design was spectacular, though the CGI can be overwhelming. The ending comes just when you are whetted up for a big fight scene. We will really have to catch that final film in the trilogy to see that monumental battle come to life. 8/10.
December 10, 2013
The latest Disney opus "Frozen" is based on the Hans Christian Andersen's complex tale entitled "The Snow Queen."
In this dark story, two close friends named Kai and Gerda were separated when splinters of an enchanted troll mirror enters Kai's eyes and heart and makes him hate everything around him. The Snow Queen kisses the boy, making him forget Gerda and his family, and takes him to her frozen palace. Gerda risks all odds to locate Kai and when she finds him, her warm tears of love melts the shards of mirror from Kai's heart and eyes, and releases him from the Snow Queen's spell.
"Frozen" is nothing like this story at all. From the original, we only get the ice palace, someone's heart getting frozen and needing true love to be saved. The story spun from these elements is a wholly original tale about two royal sisters. One, Elsa, had a wonderful but dangerous power to create ice and wintry weather. The other one, Anna, being normal, had been kept in the dark about her sister's power following a near-tragic accident, so the two had been estranged since childhood.
Several years later, at Elsa's coronation day as Queen, Anna meets and was swept off her feet by the charming Prince Hans. However, Elsa suddenly had to flee her kingdom when her powers were inadvertently revealed to the public during the ceremony. Anna goes out to search for her sister. Along the way, she meets a kind ice-maker Kristoff, his hardy reindeer Sven, and a talking snowman named Olaf who join her on her quest. Can Anna find her sister, mend their relationship, discover true love in time, and save their kingdom from the eternal winter that envelops it?
The visuals of the wintry wonderland where this animated film is set were fantastically rendered. That part where Elsa was building her palace of ice was a most wondrous and spectacular scene that will inspire awe. On the debit side however, delightful as how his character may have been written, I did not like the way they drew the face of Olaf the snowman. (Truth to tell, when I first saw Olaf and his corny goofy look in the trailer, I almost did not want to watch the whole film.)
Aside from the visuals, the aural experience in this film is likewise grand. The song that accompanied Elsa's emancipation entitled "Let It Go" was breathtaking as sung by the incomparable Idina Menzel. This was easily the best and most memorable song of the film. Many of the songs, like Anna's "For the First Time in Forever", were Broadway-esque, sweeping and romantic. The Trolls (who raised Kristoff) and Olaf have featured quirky songs of their own. Though cute, these songs seemed melodically out of place from the other songs.
The fact that this film had two female heroines will make this film appeal more to the young female demographic. The story line of sisterly love and devotion is also a novel approach that makes this production stand out from the other Disney classics. Elsa is an incredible character with a unique and interesting predicament because of the powers she possessed. It would have been better I think if the film centered more on Elsa than on Anna. 8/10.
