May 7, 2025
The titular "black bag" in espionage parlance refers to a piece of classified information you cannot share with anyone. This film posits that the spy game is a game of lies and for agents, the skill of lying is a valuable asset. They made the six agents three romantically-involved couples, so there is an aspect of trusting a person who was supposed to by a professional liar. There are inevitably "black bags" which you cannot reveal to your significant other.
David Koepp was the writer behind big box-office hits like "Jurassic Park" (1993) and "Spider-Man" (2002). But in "Black Bag," Koepp came up with an intense psychological thriller about an investigation of a worldwide threat that was centered around a group of six people, one of whom was leaking vital info. Koepp's script was very wordy, complicated with spy jargon. The web-like plot seemed clear enough if you don't dwell on the details too much.
Director Steven Soderbergh burst into the big time in 1989 when the first film he wrote and directed "Sex, Lies and Videotape" won the Palme D'Or at Cannes, making him the youngest winner of that prize at age 26. In 2001, he was nominated for Best Director Oscar for two films -- "Erin Brockovich" and "Traffic," and won for the latter. in He announced his retirement from film direction in 2013, but soon came back to work in 2016 with "Logan Lucky."
The way Soderbergh staged the confrontations of the film's characters made us feel like we were watching a play. That first dinner scene where George played a psychological game, challenging his colleagues to make a resolution, not for himself, but for the person on his right side. This, of course, led to hurtful revelations between the couples around the table. Interesting drama, yes, but these relationships were not really pertinent to the Severus plot.
The first two acts, setting up the investigative scenario, which later made George an unwitting accomplice to a diversionary ruse of the enemy, were masterfully executed. Fassbender's dry methodical George and Blanchett's fiery Kathryn played off each other with such electric chemistry. The third act was made more complex with the involvement of their boss Stieglitz (Pierce Brosnan), but it did not exactly live up to the promise of the build-up. 7/10