Review of MY LOVE WILL MAKE YOU DISAPPEAR: To Curb a Curse

March 27, 2025

When Sari (Kim Chiu) was a little girl, she was a happy and fearless child. However, one day, she met an ugly witch who told her that all the men who would fall in love with her will disappear. Since then, she considered herself cursed, especially when the boys she had a crush on all vanished from her life. Even her favorite actor went missing when she planted a kiss on his image on her television. She has resigned herself to being single for life.

After his abruptly aborted wedding, Jolo (Paulo Avelino) was on the run from gangster loan sharks Boss Poyo (Bernard Palanca) and Madame Tala (Ruffa Mae Quinto). He went to hide out in a compound which he inherited from his grandmother called Tahanan Homes, which was coincidentally also where Sari lived. When he learned about Sari's curse, Jolo had the crazy idea of making Sari fall in love with him, so he could just disappear. 

This romance-comedy-drama film reunites Kim Chiu and Paulo Avelino with director Chad Vidanes, who also directed the Philippine adaptation of K-drama "What's Wrong with Secretary Kim?" where their Kim-Pau loveteam bloomed. The romantic chemistry between the two leads was very easy and relaxed. They were clearly comfortable working with each other, as the film went from scenes of slapstick comedy to emotional drama and vice versa.

That the basic premise of the film was based on a so-called curse did make the film feel quite whimsical. However, Kim Chiu was able to make us empathize with her Sari, who had long been socially crippled by cruel words. She maintained her good nature, even as her being single had long been a joking matter with her friends. Chiu carried over the goodwill of her public persona to make Sari likable, even if she tended to overdo her sweetness.

Paulo Avelino had a tougher time making his character Jolo likable. He started out as some sort of a walking red flag with his selfish personality and shady backstory. He had wanted to sell Tahanan Homes in order to get him out of a huge debt. His initial reason for courting Sari was to use her curse to solve his problem. Of course, this was a rom-com and Jolo just so happened to possess Avelino's natural charm, so everything gets smoothed out in the end.

To add to the fun and the chaos, Sari had a host of friends at work (Frenchie Dy, Charm Aranton), and at home (Peewee O'Hara, Wilma Doesnt, Nico Antonio, Lovely Abella-Manalo, Benj Manalo, Migs Almendras, Martin Escudero). Sari had a pet hamster named Cookie (voiced by Melai Cantiveros) who served as the narrator. There were also cameo appearances by Piolo Pascual, and PBB alumni Ashley Sofia "Fyang" Smith and JM Ibarra.

I had reservations about certain scenes of a sensitive nature. Sari's accidentally-pregnant teen sister (Karina Bautista) was very rude to Sari, as if her condition was something to be proud of. Also, Jolo seemingly took advantage of Sari's vulnerability on the day she finally gave in for her first kiss. Having that sweet moment go all the way to a romp in the bedroom on that very same night did not feel right. Sadly, this made Sari look too impulsive and desperate.  7/10. 

 

VMX: Mini-Reviews of KOLEKTOR, MALAGKIT, ELEVATOR LADY

March 21, 2025

KOLEKTOR

Director, Writer, DOP, Editor, Music, Sound: Carlo Alvarez

Jessie (Nico Locco) took the ladies he dates to the restaurant where his stepfather Bernard (Emil Sandoval) was the chef. He had failed dates with department store salesgirl Dawn (Candy Veloso) and the frankly aggressive Anika (Salome Salvi). However, when he dated Eula (Aiko Garcia), he felt something different about her. Was this love? However, like the previous girls, he still brought her to his house. Will she share the fate of the others?

Filmmaker Carlo Alvarez did a lot of work on this project as listed above, but it was in the sonic aspects -- sound and music -- that he excelled more. Nico Locco has improved in his portrayals of men with disturbed psyches. However, that over-the-top terrible tattoo of his mother's name around his neck should not have been used at all as it was so distractingly bad. Casting Emil Sandoval is already predictable that he was going to be bad news. 4/10 

MALAGKIT

Director: Bobby Bonifacio, Jr.

Writer: John Raphael Gonzaga

In preparation for marriage, rich kid Mindy (Ashley Lopez) convinced her fiance Renald (Ace Toledo) to join her on an immersion experience to live among the poor. She decided to stay at the countryside hut of her former nanny Che (Lea Bernabe), where she lived with her husband and Mindy's former driver Aldrus (VJ Vera). Mindy helped Che cook her native delicacies, Renald joined Aldrus to sell them to neighbors, and the discovery began. 

From the get-go, the immersion gimmick that served as the basis of this film was admittedly absurd. You can probably guess that there was going to be a swapping of partners, but the swap that transpired was quite surprising, and led to interesting character conflicts. However, as he did in his previous films, director Bobby Bonifacio Jr. took the absurdity of this premise and pushed it to its limits, all the while keeping his tongue-in-cheek. 6/10

ELEVATOR LADY

Director: Rodante Y. Pajemna, Jr.

Writer: Maya Diaz

18 year-old Kat (Aliya Raymundo) was a senior high school student who moonlighted as a elevator girl in a posh condominium building. As a side racket, she would engage some male residents with her sexual favors. New tenant Jay (Albie Casino) just moved into the penthouse unit, and not long after, he was also one of Kat's loyal customers. One day, a crippled lady confined to a wheelchair moved into the penthouse. She was Mimi (Vern Kaye), Jay's wife.

In the long list of occupations VMX has turned into prostitutes in the past three years, this has got to be one of the most unbelievable. They want us to believe that the elevator girl can just put her elevator on hold for an indefinite time enough to satisfy her customer.  The Mimi angle of the story was a good one, despite the acting limitations of the actresses. However, that red herring to involve fellow elevator girl Mariz (Zsazsa Zobel) was totally illogical. 5/10

Review of SNOW WHITE: A Progressive Princess

March 20, 2025

The newborn baby princess was named Snow White. After her mother the Queen died, the King remarried. His new Queen took control of the kingdom when the King failed to return after a battle. She was a vain woman who wanted her Magic Mirror to confirm that she was always the fairest one of all. One day, the Mirror declared that Snow White, who by now had turned from a child to a young lady, was the now the fairest. The Queen could not accept it.

This was how the story of Snow White began. It is a tale familiar to almost every child, particularly those who grew up under the spell of Disney animated films. "Snow White and the Seven Dwarves" (1937) was the very first full-length animated feature film by Walt Disney, the original innovator of adapting fairy tales into animation. With its box office take adjusted for inflation, it is still in the list of the Top Highest-Grossing Animated Films of All Time. 

This new live-action version of Snow White certainly had a very rough start. The controversy started when Latina singer-actress Rachel Zegler was cast in the title role. Purists insisted that Snow White got her name because her skin was "white as snow." It did not help that Zegler also tactlessly called the original film "extremely dated." Rude netizens also made fun of Zegler's appearance in comparison to Gal Gadot's regally beauteous Queen. 

Changes were evident from the very start. The new princess was named Snow White because she was born in a stranded carriage during a snow storm. There was no Prince here, instead we have Jonathan (Andrew Burnap) was a rebel who was "loyal to the King," who lived in the forest with his own band of seven cohorts. After she woke up from true love's kiss, this new Snow White proved to be a progressive princess who changed how the fairy tale ended. 

We hear reinterpretations of its old songs "Heigh-ho" and "Whistle While You Work" by the dwarves. However, there was no more "I'm Wishing," "One Note," and notably "Someday My Prince Will Come" here. Instead, there were a number of new songs all written by the song writing team of Benj Pasek and Justin Paul. So in case you think you are hearing strains from "The Greatest Showman" songs in them like I did, that is why.

This live-action version looked very good from a technical point of view, with award-worthy art direction, costume designs, and visual effects (generally). The CGI Seven Dwarves were not really as bad as originally imagined, but I can't help seeing familiar faces in them, like Tommy Lee Jones for Grumpy, or Alfred E. Neumann of MAD Magazine in Dopey. The forest animals were very cute furry furballs, as Disney had already perfected in their previous live-actions.

Far from being the biggest liability of this "Snow White," Rachel Zegler was actually one of its saving graces. Her singing voice was so strong and soaring, so breathtaking especially in her showstopping "Wishing on a Wish". Andrew Burnap may look like a more generic Jonathan Bailey, but his singing was also very good, particularly in his comical solo "Princess Problems." Their love duet "A Hand for a Hand" had good harmonic blending in its arrangement.

Now Gal Gadot is another matter. There is no arguing her beauty, as she was radiant from her introductory scene. Only very few can pull off the Evil Queen's iconic crown, gowns and cloak like she did. I can even forgive her campy approach to playing evil. However, when it came time for her first solo song number that had mediocre singing and even worse "dancing," if you can call it that. Gadot really betrayed the limits of her acting ability here. 

The word "fair" gets bandied about a lot throughout this film. Of course, the original context was in the Evil Queen's obsession to be the fairest (the most beautiful, or the whitest) of them all. She exemplified this in her solo song "All is Fair" where she declared that "Beauty is power." However, for this new progressive Snow White, fair means "equal sharing," and in her anthem "Snow White Returns," she aspired to be "someone fearless, someone fair." 7/10

Review of NOVOCAINE: Painless Physical Punishment

March 19, 2025

Since he was a child, Nathan Caine (Jack Quaid) has been diagnosed with a rare neurologic condition called CIPA or congenital insensitivity to pain with anhidrosis. Because of this, Nathan's parents had been very overprotective with him, not even allowing to eat solid food for fear that he could already be chewing his tongue off without him feeling it. He had been an easy target for bullies in school, who called him the nickname of "Novocaine."

Presently, Nathan is working as the assistant manager of a bank in San Diego. He had grown up to be so much of an introvert. After work, he went straight home and did not have any friends. The only other person with who he had any interaction was Roscoe (Jacob Batalon), the guy he played online games with, whom he had not met in person.  When his pretty co-worker crush Sherry (Amber Midthunder) invited him out, he got very flustered. 

Jack Quaid is the son of Dennis Quaid and Meg Ryan. I first knew him from his breakthrough role in the series "The Boys" (2019) as Hughie Campbell, the most sensible, most techie member of the vigilante team.  His role as Nathan Caine has shades of Hughie as well because of his inexperience when it comes to fights and violence. His Nathan is dorky and delightful even in the face of danger, the perfect action-comedy hero. 

Ray Nicholson, who plays Simon, a crazy goon who had no qualms about killing people, the main antagonist. He has the crazy eyes of his more famous father Jack Nicholson, but too bad his character here is one-dimensional evil, so did not really showcase much range. It was so much fun to see Jacob Batalon beyond being Peter Parker's best friend. He definitely stole every scene he was in, well, being Nathan Caine's best friend. 

With violent bank robbers holding their bank up, writer Lars Jacobson threw Nathan into an adventure that was going to put him into so many painful situations that he will never feel. Directorial team of Dan Berk and Robert Olsen concocted a series of grimace-inducing injuries to be inflicted on Nathan which he may not feel, but we definitely will feel them on his behalf. Of course, they seem to have forgotten that painful or not, injuries are still injuries. 7/10 

Cinepanalo 2025: Review of TIGKILIWI: Helping for Healing

March 18, 2025

When their mother passed away in the lean season, Marlin (Gabbie Padilla) was forced to work for a supermarket in the city under her boss Dave (Nathan Sotto). Unfortunately, she had to leave her much younger brother Tata (JP Larroder) alone at home. Tata was very curious about Nay Pansay (Ruby Ruiz), their mysterious neighbor with a blind eye, scarred face and usually dressed in black, who was rumored to be a witch who ate kids up. 

Among the people in Tata's neighborhood were: drunk pervert Poldo (Ian T. Laczi) who frequently abused his autistic son Pol (Jeffrey Jiruma), the obese homeless woman at the church nicknamed Diutay (Sunshine Teodoro), and young farmer Jordan (John Renz Javier) who had a crush on Marlin. Visitors from the city include the chatty genius Atty. Maya (Ruby Rosa Baldevarona) and her driver Nono (Ramjun Clemente Valasote). 

Tara Illenberger wrote (in delightfully lilting Hiligaynon) and directed this film about provincial life through the eyes of its precocious child protagonist Tata (or Jose Domingo Jr. if his sister was angry). The first few times Tata found himself in Nay Pansay's house, Illenberger uses crazy camera angles and movements, enhanced by the dissonant music and sound effects, to put us all into exactly how scared and jumpy Tata was at those times.  

The winsome natural performance of JP Larroder as Tata carried this film. He had an innate comic timing that made his funny lines land. Some humor was subtle, like how Tata suddenly dropped phrases like "cross my heart" and "this is it" from out of the blue. Larroder had the ability to cry on cue with a sincerity that makes you want to cry along. Deservedly, he is a cinch to win Best Child Performer, but kudos for also being a contender in Best Actor.

Surrounding Larroder was an ensemble of actors who clearly enjoyed working together. Ruby Ruiz relished doing scary Nay Pansay with her baleful stares and mad cackling laughter, but she also shone in her dramatic highlight, when she told her sad family history. Even if Marlin was a supporting role, Gabby Padilla continues her brand of subdued excellence. Veteran Sunshine Teodoro and neophytes Jeffrey Jiruma and Ian T. Laczi made the most of what is probably the meatiest role in their filmographies so far.

This film is really at its best when it focused on Tata and his unconditional desire to help other people and healing them with his efforts. However, it can be upsetting when Illenberger turned her attention to R-rated adult issues like adultery, prostitution, sexual assault, and violent retaliation. While these scenes may ground the film into realism, I felt these scenes were very jarring to the innocent childlike vibe the film started with. 7/10

Cinepanalo 2025: Review of FLEETING: Making Memories in Mati

March 17, 2025

When online marketer Gemini "Gem" Santos (Janella Salvador) turned 25, she decided to take a solo trip to Mati via Davao Airport. She was picked up at the airport by her hotel's co-owner JC David (RK Bagatsing), who noted that Gem was very preoccupied with her gadgets, still busy at work even in the car. JC promised Gem that she will fall in love with life in Mati so much that she would definitely be extending her planned stay longer. 

JC's Kalipay Cafe had a prime beach side location, but it had no wifi because JC wanted his customers to slow down and enjoy their time there. He managed his cafe with his friend Kid (Peter Mendijar) and employee Joy (Alora Sasam). To drum up sales, Gem helped promote Kalipay's special "sikwate" drink together with JC's easygoing charm (and abs) which worked very well. However, they did not know that Gem had another reason why she was in Mati.

For her feature directorial debut, Director Catsi Catalan told a very mainstream love story between two contrasting personalities -- one hectic and frenetic, the other slow and laidback. Like all other rom-coms, awkward first meeting first, daily interactions next, eventually blossom into love. They are 10 years apart in real life, but Salvador's Gem and Bagatsing's JC had a thrilling chemistry between them. Will they end up together or not?

For me, the most memorable aspect was how Gem fulfilled her childhood dream of becoming a pilot. We were briefed that she had to complete 40 flight hours, at P10,000 per hour. I never knew that new pilots were doused with a pail of water before being given their wings. After graduation, if Gem wanted to pursue becoming a commercial pilot, she needed to complete 150 flight hours more, which may be earned with a cadetship program. 

The other thing I would credit this film for would be its tempting introduction of Mati, the capital city of Davao Oriental, as a vibrant beach and surfing destination for tourists, especially for locals. It also made us want to go try out their special chocolate drink called "sikwate," made from carabao's milk and tablea. From there, it also gave us information about the cocoa bean industry based in the area and the process of preparing the beans for use. 7/10

Cinepanalo 2025: Review of JOURNEYMAN: Life Lessons from Lousy Losses

March 16, 2025

Angelo Heresano (JC Santos) lived in the slums of the city with his wife Sunshine (Jasmine Curtis-Smith) and their daughter Cherry (Darlyn Izabelle Salang). Angelo's main occupation was boxing, but he made extra cash by working menial tasks at the fish market. Angelo needed to make more money because Cherry was very sickly in constant need to medical attention. On top of that, Angelo also decided to enrol Cherry in a private school. 

Angelo earned the monicker "El Maso" for his way of hammering his opponent down with his signature series of hard-hitting fast punches. He had already been sent abroad once, several years ago, to fight in Mexico, but he, unfortunately, did not win. However, his handler Dondon (Raffy Tejada) got him into shady deals with a certain Boss Chang (Emmanuel dela Cruz), where he would earn more cash only if he agreed to throw his matches on purpose. 

There is something about boxing that makes it a very popular subject for dramatic films. Philippine world champion Manny Pacquiao had inspired two such films, "Pacquiao the Movie" (Joel Lamangan, 2006) and "Kid Kulafu" (Paul Soriano, 2015). In fact, the feature film debut of director Christian Paolo Lat was also a boxing movie -- "Ginhawa" (2022) about a poor aspiring boxer from the province Anton who tries his luck in the big city. 

"Journeyman" was practically a continuation of "Ginhawa". Angelo also moved to Manila to try his luck as a boxer. Unfortunately, poverty forced him to swallow his pride to keep losing his matches in order to make a little more money. That irony came to a head when he knew that his idol Gerry Penalosa would be watching him fight the Japanese champion Kato. Will he still fold for the sure P50K payoff, or will he show off what he was really capable to do?

JC Santos gave his 100% in his gritty, sweaty portrayal of Angelo as failed boxer and family man, in a realistically painful physical and emotional performance. His siomai-eating scene at the end (reminiscent of Jaclyn Jose's iconic fishball scene in "Ma Rosa") was absolutely heart-crushing. Santos' Angelo also bared his soul when his long-suffering wife Sunshine broke down and expressed her "what-ifs" at the hospital, and in those conversations with Nay Rosario (Ruby Ruiz), his adopted mother at the fishport. 

Co-writer and director Christian Paolo Lat obviously had passion for this story about the sad reality of fixed fights in the underbelly of the boxing world. He co-directed this film with his brother and cinematographer Dominic Lat, who was somehow able to make the polluted waterway beside the fishport look good. The way the brothers executed the boxing scenes delivered the expected excitement and human drama. The cameos of two-time world champion Gerry Penalosa also gave the film an additional punch. 8/10

Cinepanalo 2025: Review of OLSEN'S DAY: A Troubling Twist

March 15, 2025

Olsen (Khalil Ramos) lived in Dagupan City with his elderly mother with dementia Agnes (Sherry Lara). He has been working as a researcher in a local news station in the city for eight years, with no promotion in sight. One November 1, he was asked by his boss to deliver a box of VHS tapes to their branch in Quezon City. There was no company service car to take him, so he had to drive his own car to do the job. 

Riding along with Olsen that trip was a talkative middle-aged man named Tony (Romnick Sarmenta) and his shy 10 year-old son who did not talk much named Tonton (Xander Nuda). Throughout the long drive, Tony and Olsen talked about mostly about their families. Tony talked about having Tonton at the late age of 50 and raising him on his own. Reluctant at first, Olsen opened up about his issues with his own father.

Khalil Ramos can really play these young men with angst very well, since teenage Felix in "2 Cool 2 be 4gotten" (2016), all the way to 30 year-old Olsen in this latest one now. Romnick Sarmenta experienced a resurgence in his career since his award-winning turn in "About Us But Not About Us" (2022), which was also another one long filmed conversation in one setting between two people like this one. It was their star chemistry that carried the film over.

In the first hour, this seemed to be a typical road movie where two strangers get to know each other better since all they did was talk during the car trip. It seemed pretty straight-forward from the time they left Dagupan, until Olsen dropped off his passengers in a hospital near Cubao. You'd think that was over right there, but it turned out to be just the start of the main meat of the film, what this story was really all about.

You can feel that co-writer and director JP Habac had a personal stake in this film, and it felt like a labor of love. It would have worked well if one does not give the twist much thought and just accept it as it happened. However, this type of thought-provoking twist does make you want to dissect what those scenes meant, especially in relation to how the characters acted in the first hour. Let's just say it was not executed as cleanly as "The Sixth Sense." 6/10.  

Cinepanalo 2025: Review of SALUM: Paternal Pressures

March 14, 2025

Kosko (Allen Dizon) and his daughter Arya (Christine Mary Demaisip) lived on the northern part of Gigantes Islands, in the municipality of Carles, province of Iloilo. Kosko's wife had left them behind to go work in Japan, where she already had another family. Like his neighbors, Kosko made a living free diving into the sea to gather scallops to sell to the market. Arya joins him in these dives and she was getting the knack of this job herself. 

Arya was about to celebrate her 13th birthday, and her one wish was to have a cellphone of her own, but Kosko was short of funds. Kosko mainly depended on his former high school classmate Marco (Nathan Sotto), now a businessman who bought all the shellfish that Kosko caught. However, when Marco stopped coming over, rumors began to circulate that he found a valuable pearl in one of the clams that Kosko caught for him.

Since "Magkakabaung" (2014), Allen Dizon has been recognized as Best Actor in several local and international indie film festivals, and he continues to be one of the most active lead actors in the indie circuit today. His Kosko was driven mad by the pressures of being a good father and provider to his daughter, and you can see that psychological transition gradually progress in his facial expressions. Those scenes of Kosko feverishly shucking scallops and clams to search for an elusive pearl had an intensity reminiscent of Toshiro Mifune. 

Christine Mary Demaisip was one of the three child actors in Tara Illenberger's "High Tide" (2017), which also had a story about poverty, island life and shellfish, as well as TM Malones as cinematographer. Demaisip was singled out as a nominee for Best Child Performer at the Star Awards that year. From a girl picking up clams in low tide in her first film, Demaisip now dons the rounded flippers (called "yapak") herself to actually dive for scallops. She is a natural actress, effortlessly able to deliver deep emotion even in her quiet scenes. 

Co-writer, cinematographer and director TM Malones told us this potently-dramatic father-daughter story with picturesque Gigantes Island as backdrop. He was able to effectively build up the compounding series of circumstances that weighed in on Kosko's sanity -- from his ex-wife's looming threat for taking Arya away, to the gnawing thought that his friend Marco hit the jackpot from one of the clams he sold him, plus how the government regulations for marine protection was regulating how he earned his living. 8/10

Review of MICKEY 17: Exploits of an Expendable

March 14, 2025

Deep in debt, Mickey Barnes (Robert Pattinson) and his friend Timo (Steven Yeun) escape their loan shark by joining the crew of a spacecraft leaving Earth to go to explore the planet Niflheim for colonization. Mickey was hired as an "Expendable," a human lab rat for scientific experiments to be done in the new planet. Whenever Mickey died, the human 3D printer will print out a new one of him, with his previous memories restored. 

The title of the film refers to the fact that the main character was already the 17th version of Mickey. When they had to develop vaccines to survive in Niflheim, the first 16 Mickeys have come and gone. One day, expedition leader Kenneth Marshall (Mark Ruffalo) ordered Mickey to capture a dangerous-looking creature they called "creepers." This mission had an unexpected outcome that shook up Mickey's life more than it already was.

Playing several versions of Mickey gave Robert Pattinson a unique opportunity to play many different characters even if his name stayed the same, in terms of behavior and even voice inflections. With those hilarious facial contortions as Kenneth Marshall, Mark Ruffalo practically giving a spoof about a certain American politician with his larger-than-life personality and his obtuse controversial political orders and policies. Steven Yuen's Timo was underused.

The ensemble of female supporting characters here is very strong. Marshall's wife Ylfa (Toni Collette) was the true power behind the tyrant, literally dictating the things her husband says. Mickey's girlfriend, security agent Nasha (Naomi Ackie) was an excellent fighter as well as a lover, and frank about whatever she wants done. Scientist Kai (Anamaria Vartolome) knew her value of her skills in the new planet and knew how to speak her mind. 

  

This story was set in 2054, just a little less than 30 years into our future. With computers and AI getting more and more powerful and sophisticated, it is really not that far-fetched that human 3D printing may actually be a reality. Writer-director Bong Joon-ho adapted Edward Ashton's 2022 sci-fi novel "Mickey7" to tell us a serious cautionary tale of cutting-edge technology capable to devalue human life, and told it entertainingly well. 8/10

Review of LILIM: Ominous Orphanage

March 13, 2025

It was the year 1983 somewhere in Northern Luzon. Issa (Heaven Peralejo) took her younger brother Tomas (Skywalker David) and drove away from their house after she killed their abusive father. When she stopped midway along her route, Tomas suddenly ran out of the car and into the forested area beside the road. Issa failed to catch up with him and just ran around the forest shouting his name, until she came upon a grand old house in a clearing.

The house turned out to be an orphanage run by eight nuns, led by Sister Marga (Ms. Eula Valdez). The nuns took Tomas in when they saw him wandering outside their premises. All the wards in the house were boys, who all had their hairs cut very short to prevent lice. Sister Marga allowed Issa to stay with them in exchange for doing her share of the household chores. Not long after, Issa began to notice eerie things about the house and the nuns.

Director Mikhail Red has a fondness for making horror films, including "Eerie" (2019), "Block Z" (2020), "Deleter" (2022) and "Nokturno" (2024). "Lilim" uses a lot of typically Filipino style horror tropes, like dark old house in a remote forest, mysterious nuns, scary masks, and ill-timed showers in the middle of the night. It relied so much on jump scares which had someone suddenly break the silence with a loud shout to startle viewers. 

The neophyte young actors playing the orphans were actually good, as showed dedication by having their hair practically shaved off. Skywalker David was convincing as the conflicted and confused Tomas. Dwayne James Bialoglovski played Prinsipe, the alpha bully of the group. John Ventura played Nilo, the friendly boy who tried to stand up for Tomas. VMX prince Gold Aceron was still able to pass for a boy, playing mute, autistic Gabriel. 

The behavior of Sister Marga, and the other nuns, Helena (Ryza Cenon), Trining (Nicole Omillo), Josephine (Phoebe Walker) felt off right away, even before that scene when Trining was forced to walk on the shards of a broken porcelain statue in her bare feet. Several scenes, like Helena's crying infant and Sister Marga's final action, had no logical explanation at all. The history of their congregation -- the titular Lilim -- would have been interesting to know.

Heaven Peralejo did well acting-wise, with the role given to her, the lines she had to say and the things she had to do. The beginning of her character arc was shocking, as we first saw her after she just killed her father with no backstory. It was just so unfortunate about the choice of dress she was given to wear for the entire final act. Her dark beige outfit with the puffed sleeves and ruffled accents on the skirt was distractingly ugly to the point of laughable. 5/10