November 5, 2026
In 1947, the radioactive monster Godzilla terrorized in the Ginza district of Tokyo. It was subsequently destroyed when pilot Koichi Shikishima (Ryonosuke Kamiki) crashed his plane into its mouth which caused it to explode and sink into the ocean. Having survived his ordeal, Koichi went on to marry Noriko (Minami Hamabe), a survivor of the Godzilla attack, and adopted little orphan Akiko (Sae Nagatani) as their daughter.
Two years later in 1947, Matsumoto City was attacked by a flying winged dragon-like creature who shot lightning bolts out of its mouth. It was dubbed Ghidora, as it was a chimera of different creatures and looked like a hydra. On the job was Kenji Noda, director of the government's Large-Scale Disaster Response Bureau. He had biologist Dr. Kanji Murakami (Min Tanaka) and meteorologist Makoto Aoyama (Masami Nagasawa) as advisers.
"Godzilla Minus One" (2023), written and directed by Takashi Yamazaki, was my Number 1 film of 2024, one of the rare films that I have rated a 10/10 (MY REVIEW). This was not only for its Oscar-winning visual effects for the fearsome Godzilla monster, but likewise how the story tied into the experience of the Japanese masses post-World War II and its deadly ending when atomic bombs were dropped on Hiroshima and Nagasaki.
This sequel continues the story two years after the events of the first film. The lead characters are all familiar to us, and it was good to see Koichi, Norico, Akiko, Noda and their friends again. A key new character in this new film is Prof. Murakami because of his extensive research about Godzilla and its biology, an obsession borne out of a major personal tragedy that happened two years before he witnessed the havoc the monster wreaked on Ginza.
The stakes for the protagonists were doubled this time around because there was a Ghidora aside from Godzilla. Midway through the film, these stakes actually increase threefold or more when Ghidora further mutated into King Ghidora, with three heads, more massive wings and two very long tails. You'll probably figure out how they were going to solve this double super kaiju problem, but their pseudo-scientific explanation actually made sense.
This film did not hide its sentiments about the American intervention in the aftermath of World War II and the bombing of Hiroshima and Nagasaki. The Japanese scientists here had to seek approval and request for air power from the American officials to be able to solve their kaiju problems. At the end, an unexpected order from the American GHQ made it all the more possible for us to expect another sequel of this great kaiju saga from Yamazaki. 9/10











