August 8, 2016
The anticipation for this film is really very high. The promotion was relentless leading up to its debut this month. This is the first time in the neighborhood mall cinema that we actually saw a long line for the tickets and a full house when we watched. Initial reviews were bad, which was disappointing to hear. However, this is one of those films which people will watch whatever the reviews may be.
Following the events in "Batman V Superman," CIA official Amanda Waller assembles a team of dangerously deranged criminals under the leadership of Colonel Rick Flag to fight impossibly high risk missions for the US government. This group of elite villains consisted of sharpshooter assassin Deadshot and the beautifully crazy Harley Quinn, along with Latino pyromaniac El Diablo; Australian thief Captain Boomerang; and leather-skinned monster Killer Croc. They were joined by Flag's samurai-wielding Japanese lady bodyguard Katana.
The group first saw action when a shadowy sorceress named Enchantress brings back her giant fiery brother back to life and creates her own army of magic mutant minions to overrun Midway City. Meanwhile, Harley Quinn's equally (or more) insane paramour, the Joker, gets into the picture as he plotted to spring Harley from prison.
Easily the most memorable standout performance was that of Margot Robbie as Harley Quinn. Her character went full circle, very well developed. She gets to deliver the best lines in the whole film. Her funny little witticisms were "vexing" (as she said) but delightfully so. Robbie managed to look very good despite being manic, unkempt and disheveled. She also pulled off her fight scenes with her trusty baseball bat. I'd call this an iconic performance of this quirky comic book character.
Will Smith (looking cool as Deadshot) and Jay Hernandez (as El Diablo) had their dramatic moments and they were able to maximize their scenes. Adewale Akinnuoye-Agbaje lacked viciousness as Killer Croc, and he even had "cute" lines. Jai Courtenay never really fit in any of them comfortably, this one as Captain Boomerang included. I have yet to see a role that Courtenay was actually good in. Too bad we do not really get to know their criminal backgrounds more, but that is too much to ask for a 2-hour film.
Joel Kinnaman was unconvincing, flat and unremarkable as Rick Flag. hile she seemed to be the perfect choice of actor, Viola Davis oddly lacked the heartless and guiltless strength of character I expected of Amanda Waller. I thought Cara Delevingne was miscast as the Enchantress. The awkwardly funny body movements she was doing during the climactic CGI face-off made it look like a juvenile "Ghostbusters" battle, instead of the hardcore showdown we were expecting.
Jared Leto gave us a serious and brooding Joker, a different persona for the Clown Prince of Crime. It is really hard to compete with the classic interpretations of Cesar Romero, Jack Nicholson and Heath Ledger for this character. Leto's screen time was too short this time to develop his Joker. In fact, he was actually just a special guest character who actually took some time and focus away from the main squad. It seems to hint that maybe he will be getting his own film with Harley in the future.
As we can already see quite clearly from the ubiquitous trailers, this David Ayer's film as a whole was stylishly rambunctious and cacophonous in its colorful visuals and alt-pop-rock soundtrack. The gun battles and various fight scenes were very energetic, with the violence so cartoonishly relentless as expected. Those berry-headed minions were as generic as they came, a weak way to prolong the "action" with no real sense of danger.
The script was clean enough to let 13 year olds into the theater, not as Rated-R as "Deadpool" was, which may disappoint some hardcore fans. As for me, lowered expectations and unfamiliarity with its comics origins made it a fun enough ride, especially with Margot Robbie there as Harley Quinn. But clearly, director Ayers could have done more radical stuff with the material he had on hand. 6/10.
August 4, 2016
The sleazy local poster of this movie did not look promising at all. I don't know if Mila Kunis even knew she would wind up on such an embarrassing poster layout, wearing unflattering black lingerie like this. Anyhow, I like Mila Kunis and I watch her films. Yes, even the maligned "Jupiter Ascending," I watched and liked. So, I also watched this one even though I had my apprehensions given the title and poster.
Amy Mitchell is trying her best to be a perfect working mom. She gives all her energy and time catering to all the meals, needs, homework and busy schedules of her two spoiled kids, Jane and Dylan. After one particularly disastrous day of failing to juggle her many responsibilities, she still had to attend a so-called emergency PTA meeting organized by the overbearing Gwendolyn, only to find out it was just about a bake sale. Frustrated, Amy walks out. Together with her new friends (liberated single mom Carla and mousy stay-at-home mom Kiki), she decided to stop being a slave to an unrealistic ideal of maternal perfection, and just be what other people may call a "bad mom".
Mila Kunis here reminded me of Cameron Diaz and her own raunchy film "Bad Teacher" (MY REVIEW). Like Diaz, Kunis was able to rise above the craziness of her flawed character and make her delightful and likable. Of course, while Diaz's Ms. Halsey was really a lazy nutcase, Kunis's Amy was a good overly-caring mom to begin with, who just felt she needed to rebel against conventional norms and expectations of modern-day motherhood.
Kristen Bell played Kiki, a harassed mother of four toddlers, a sweet shrinking-violet easily cowed by her demanding husband. Of course, her "Frozen" fans will be surprised as to the shocking things their beloved Princess Anna would get to say in here. Kathryn Hahn played Carla, the loud and sex-starved mother of one hulking teenage boy. She's been around for a while, but I think her role here is her biggest so far. She stole her scenes with her strong screen presence and risque lines.
Christina Applegate played Gwendolyn, a "Mean Girl" who grew up to be a "Mean Mom." I was surprised to see Jada Pinkett-Smith in a much smaller role as Stacy, one of Gwendolyn's minions. Completing their trio is Annie Mumulo as Vicky, who seemed tempted by Amy's cool hip ways, as compared to Gwendolyn's straight-laced bitchiness.
Only one man gets a positive picture painted in this feministic film. He is Jessie (played by Jay Hernandez), a good-looking and buff widower dad all the moms are fawning over. However, the other men here were shown to be jerks. They are either losers, like Amy's husband Mike (played by David Walton); or ungrateful, like Amy's boss Dale (played by Clark Duke); or controlling, like Kiki's husband Kent (played by Lyle Brocato); or wimpy, like Jane's soccer coach Craig (played by JJ Watt); or spineless, like school principal Burr (played by Wendell Pierce).
Being written and directed by the same two guys who wrote "The Hangover" (Jon Lucas and Scott Moore), there were sex jokes galore, including an entire uncomfortably prolonged scene about the uncircumcised penis. There were plenty of scenes and references about alcohol and weed. Having a lot of profanity in the script is probably the least of these naughty offenses. All in the spirit of fun, I understand, but still this type of comedy may not sit well with some sensitive folk (who should have known already what to expect from a film like this in the first place.)
However, under all of these raunchiness, this film actually had an insightful, liberating and poignant message to moms of all types. I could definitely see the connection to what my own wife goes through daily as dictated by our children's schedules in their school, their sports, their tutors, and their extra-curricular activities. If she could tolerate the spicy language and green humor enough to reach the final act, I am sure she (and other mothers) would totally identify and appreciate the female-empowering sentiments of this film far more deeply than any man or non-mom ever could. The surprise extra over the closing credits was a precious bonus. 7/10.
By the way, this one below is the US poster. As you can see, it is far less raunchy than the poster we got here locally.
August 2, 2016
Shark movies are a distinct film genre of its own. Of course, Steven Spielberg's "Jaws" (1975) is a classic against which all other shark movies will be compared with. Its minimalistically suspenseful musical score by John Williams is iconic. Some, like "Deep Blue Sea" (1999) or "Open Water" (2003), were good. But many of them wind up in the "so bad they're good" category, with schlocky titles like "Sharktopus" (2010) or "Jersey Shore Shark Attack" (2012).
When I saw the first teaser of "The Shallows" earlier this year, it surprised me that they are releasing another shark film, a serious one this time. The beach scenery and Blake Lively are looking mighty fine. When they showed the full trailer in the past month, I was concerned that they might have already given the whole story away. Anyhow, because of very good advanced word about the film, I still decided to give it a go.
Nancy Adams dropped out of med school in frustration following a family tragedy. She visits a beautiful secret unnamed beach in Mexico to go surfing and chill out from the stresses in her life. By day's end, she was left alone in the open water trapped on a rock with an injured seagull to keep her company. An angry great white shark kept swimming in circles around her rock, hellbent on having her for dinner. Can she survive?
As much as this was a shark film, this was also a solo survival film in the vein of "Cast Away" (with Tom Hanks) or "All is Lost" (with Robert Redford). This film is practically a one-woman show for actress Blake Lively, who gives a remarkable performance in a role both physically and emotionally exhausting. With only the orange string bikini and rash guard she had on, Lively was able to toe that balance between helplessness and resourcefulness with credibility and realistic resolve. I liked the way she talks to herself to tell us her thoughts.
Director Jaume Collet-Serra was able to create an atmosphere of relentless action and tension, as he intercuts exhilarating surface shots and treacherous underwater scenes to great effect. The shark special effects were amazingly executed to achieve full-on terror, especially when it was on the attack. The energetically haunting musical score by Marco Beltrami contributed a lot to the suspense and dread of impending danger. "The Shallows" was a lot more than just the shark. It more than fulfilled my expectations for a film of its particular genre. 8/10.
July 29, 2016
"Nerve" is the name of an internet game where players are dared to do wild stunts for cash prizes and fame among the only Watchers. One day, mousy and nerdy girl Vee gets pressured by her friend Sydney to play the game. On her very first dare, Vee meets another player codenamed Ian. From this first dare, Vee and Ian would go all around New York City doing task after task as they escalate from plain crazy to dangerously deadly.
This film lets us enter an unseen world of the Millennials of this internet age. This world drawn here in "Nerve" is all so cool and colorful, but it may not necessarily be a pretty sight or a safe ride. We get drawn in and get mesmerized by this youth culture, probably in the way films like "Rebel Without a Cause," "St. Elmo's Fire" or "Fight Club" did in years past.
It is the charisma of the lead characters and the likeability of the actors who portray them which make this risky ride worthwhile.
Emma Roberts may be less memorable than her same-name contemporaries Watson and Stone. I only recall her seeing her once before playing Nancy Drew. As Vee, she really hits her stride when she is already playing the Game, looking mighty fine in that pricey green cocktail dress she wore for most of the film. I like her winning smile, her fresh innocence and girl-next-door vibe that would make you root for her to win it all.
As Ian, Dave Franco plays another fun, devil-may-care guy like what he played in "Now You See Me." He has a distinct charm from his more famous brother, James, and should have no trouble establishing himself on his own. He had great chemistry with Roberts in the dares they did together, especially in that wacky stunt in the swanky department store. It was clear to see why they attracted plenty of "fans" in the film.
I was really surprised when I recognized Juliette Lewis playing Vee's harassed mother Nancy. Time really flies. If this film was done back in the 90s I would not be surprised if quirky Lewis would be cast in it. She would most probably be perfect in the role of Sydney, Vee's insecure best friend played here by Emily Meade.
Of course, the technological advances in special visual effects that the industry uses these days make the impossible possible to happen onscreen in a more realistic manner. They can literally make characters ride a motorcycle down through NYC traffic blindfolded or hang by one hand from a crane atop a skyscraper, and make special effects make it appear that these can happen. In a film like this, we suspend our disbelief and breathlessly immerse in the fun and the danger vicariously.
I thought it would be very interesting for the older generation (Baby Boomers and Gen X'ers) to watch this and worry about what their kids could be up to these days. Like several films about the Internet, like "Disconnect" (MY REVIEW) or "Unfriended" (MY REVIEW), this is another cautionary tale about the risks that abound within the Net.The current craze "Pokemon Go" is already getting some youngsters into trouble and accidents. This technology we see in "Nerve" may not be as farfetched as you may think. 7/10.
July 28, 2016
The Bourne films were based on the bestselling novels written by Robert Ludlum. So far there had been five films. The series began with "The Bourne Identity" (2002), followed by "The Bourne Supremacy" (2004) and "The Bourne Ultimatum" (2007), all starring Matt Damon in the title role. After a break of five years, they released a film without Damon called "The Bourne Legacy," starring Jeremy Renner as Alex Cross. This was famously shot in the streets of Manila, but the film was not too well-received by the public. For this fifth installment, Matt Damon is back as Bourne.
10 years after the events of "The Bourne Ultimatum'" rogue spy Jason Bourne still wanted to get to the bottom of how his father died and how he got into the Treadstone black ops project. The CIA director Robert Dewey will stop at nothing to keep Bourne from the terrible truth, even if it meant killing him. Meanwhile, a rising new CIA operative Heather Lee thought it would be better to convince Bourne to rejoin the CIA.
Matt Damon IS Jason Bourne. He looks like he is in better shape than ever. He has got this character perfectly under his skin already, with his ruthlessly brutish, deadly skills and nebulously violent past. Not only does he excel in the action scenes (be they chases on foot or by car, or hand-to-hand combat), he also had to make the audience feel his frustration about the the past kept secret from him by this shady organization.
Tommy Lee Jones plays yet another curmudgeonly character here. His excessively irregular and wrinkled face is really illustrative of that word. As Dewey, Jones revisits a role very similar to his Oscar award-winning role in "The Fugitive" as an official relentlessly tracking a rogue, though their intentions may not be the same.
Also playing a key role is another Oscar award-winning actress, Alicia Vikander, in the first modern-day role I have seen her in. As Heather Lee, Vikander played it low-key and mysterious, obviously hiding her true motivations, probably to be revealed in a future film. I feel there is much more to this character and we will have to wait for the next film to find out more about her.
Director Paul Greengrass was in full gritty action mode in this one -- shaky cam all the way from beginning to end. The fight scenes were shot extremely closeup. Even the car chases were shot extremely closeup. This makes the action very fast and blurry, you hardly focus on any single detail as the motion was continuous and shifty. That big chase scene down the strip in Las Vegas was one harrowing and dizzying sequence that seemed to have lasted longer than it should. Not for the weak of constitution.
The story seemed to be setting up for bigger things to come, and you can feel that they were somehow holding back. This one was good, but honestly was probably a notch below the awesomeness of the first three films, but not by much. Anyhow, it was great to see Matt Damon back again as Bourne -- that alone makes this film worth watching already. 8/10.
July 26, 2016
Whenever the name James Wan appears on a movie poster, surely that promises to be one helluva horror film. He just directed his own sequel "Conjuring 2" last month. This week, he is the producer of another horror film, "Lights Out," which was based on director David F. Sandberg's first short film of the same title back in 2013. "Lights Out" is Sandberg's feature film debut. He is set to direct the sequel to another Wan-produced film "Annabelle" next year.
Little Martin kept falling asleep in class because of sleepless nights. The school could not contact his mentally-disturbed mother Sophie, so they called in his half-sister Rebecca to pick him up. Rebecca finds out that their mother had been off her psych medication and was once again talking to her terrifying "friend" Diana who only existed in darkness -- the same reason she left their house years ago. Rebecca decides to stay and help their mother finally get rid of the malevolent dark scourge that had been terrorizing their family for several years.
The lead character Rebecca is played by Australian actress Teresa Palmer who made her Hollywood debut in another horror film, "The Grudge 2" in 2006. Since then though, she only had sporadic success in choosing the right roles, usually winding up in forgettable films in the past 10 years. However, with the remake of "Point Break" last year and this one, she may finally be on her way to bigger things.
With her unconventional beauty, Maria Bello had long been cast into strong but unusual characters. The role I remember her for the most was unfortunately not her best, that of her terrible miscasting to replace Rachel Weisz as Evelyn in the third "Mummy" film. As the tormented mother Sophie, Bello was right in her weird comfort zone. We feel for her as we feel for her children.
Having a kid terrified by a ghost is a common horror movie trope. 10-year old Gabriel Bateman does play a scared kid very well, as he also did in his first film "Annabelle" two years ago. He has a lot of disturbing encounter scenes with Diana herself which were some of the best scares in the film.
The character of Rebecca's boyfriend Bret (played by Alexander DiPersia) was an interesting one. He was fiercely loyal despite the dismissive noncommittal attitude of Rebecca. The way his character was being built up, I did not expect what happened to him at the end. Always good to see side characters that get developed well, especially in a horror film where you might expect them to be the throwaway first victim.
The film starts strong with a very creepy sequence set in a mannequin warehouse (of all places!) starring Billy Burke as a man attacked by a shadowy figure. That scene where his assistant Esther (Lotta Lotsen, Sandberg's wife) was turning the light switch on and off many times was so simple yet so full of heart-stopping tension. This excellent opening sequence setup the mood and pace for the rest of the film.
Director Sandberg relied a lot on the darkness of the scenes coupled with the eerie musical score to build up and set up for jump scares. It was fun to catch a glimpse of the shadowy outline of Diana while it was still not obvious visible. That whole sequence lit up by black light was very-well executed. The atmosphere created was so thick with suspense you will be at the edge of your seat to the very end. 8/10.
July 24, 2016
The vastness of outer space really gave the Star Trek franchise a very long lifespan indeed, 50 years now and going strong. Aside from its origins on television in the 1960s, Star Trek is also a thriving film franchise, now on its thirteenth film already, and third installment in the current reboot series, starting with "Star Trek" in 2009 (MY REVIEW) and "Star Trek Into Darkness" in 2013 (MY REVIEW).
While docked on the Starbase Yorktown for supplies and shore leave, the USS Enterprise and its crew respond to a desperate call for help in an uncharted nebula, taking them on the most deadly adventure of their career. A beelike swarm of small but destructive spacecraft to attack the fabled starship and force it to crash land on remote planet. The main perpetrator was an alien named Krall, who seemed to have deeper issues of vengeance he wanted to address than meets the eye.
Stars Chris Pine (Kirk), Zachary Quinto (Spock), Simon Pegg (Scotty), Zoe Saldana (Uhura), Karl Urban (Bones), John Cho (Sulu) and the late Anton Yelchin (Chekov) reprise their respective roles in the crew aboard the USS Enterprise. They have really settled in comfortably into their characters. They do not feel like they were doing any acting anymore, all like second skin already, especially in their interaction with each other. They are convincing as a team who knew their roles and who genuinely cared for one another.
There are two new characters introduced in this installment. One was an antagonist, while the other would prove to be an ally. The intimidating Idris Elba played the vindictive Krall with formidable intensity, something he can do even by just standing still. Up-and-coming Algerian actress and hip-hop dancer Sofia Boutella gets a major featured role here as an alien warrior named Jaylah. Her martial arts skills were as graceful as they were deadly.
I liked the cool depiction of Starbase Yorktown with its ultramodern transport technology and antigravity features within a transparent glass sphere. The attack of the Bees was very scary to watch because it was just too relentless. It was painful to witness a beloved icon being blasted apart. However, many fight scenes were shot so closely, they can be difficult to watch. There were also moments when the CG was not too convincing, like there were scenes when Kirk's motorcycle (yes, he actually rode one!) was not touching the ground.
Overall, this film is another entertaining episode in the Star Trek canon, though the story felt lighter than the first two. Really, the Beastie Boys as a deadly weapon?? Anyhow, the humorous interaction of Bones and Spock even in the face of danger was fun to watch, as well as Spock's version of romance with Uhura. There was a brief yet touching reference to the original TV cast. The closing credits contained a dedication to the memories of Leonard Nimoy and Anton Yelchin. It would be interesting to see how the production would handle the character of Chekov with Yelchin's untimely passing. 8/10.
July 23, 2016
The Philippine premiere of "Ignacio de Loyola" at the Theater at Solaire this afternoon was very special indeed. This showing was a fund-raising activity mainly attended by members of the Ateneo de Manila community, for the benefit of the Jesuit Infirmary (for elderly debilitated priests) and the Jesuit Formation (for training young priests). On top of that, the entire musical score of the film was performed LIVE by the ABS-CBN Philharmonic Orchestra (under the baton of Gerard Salonga); with the Ateneo Chamber Singers handling the chorale segments.
I had never watched a film with live music this way, and it was a totally unique and enthralling experience. I am very fortunate to have had this rare opportunity today because I am not sure if another one would ever come again. It is said to be the first movie ever to premiere locally accompanied by a live orchestral musical score. Performing the musical score live in sync with the film must have entailed a lot of practice and it was perfection today. The choral voices of the ACS were soaring and ethereal as it complements the orchestra in creating an atmosphere of divinity and solemnity.
"Ignacio de Loyola" is a film of many firsts. This is the first film to be produced by the Jesuit Communications (or JesCom), the media outfit of the Jesuits community in the Philippines. They sourced funds from Jesuits communities all over the world, as well as generous local sponsors, to be able to finance the creation of this film. The cast we see on screen are all Spanish actors, but the entire production crew behind it is Filipino, led by the writer-director Paolo Dy, his first ever feature film. Last June 14, 2016, it was the first Filipino film ever to have a premiere in the Salle della Filmoteca at the Vatican, a private theater where Popes watch films.
This film tells the life of St. Ignatius of Loyola, the founder of the Society of Jesus (or the Jesuits). We first meet him as Inigo, a decadent and arrogant young nobleman. He was a gallant but reckless soldier who longed for a hero's' death on the battlefield. However, God had other plans for this young man as injury and depression led him to discover the Lord in an extraordinarily profound manner. The film leads us through his conversion to poverty, his Spiritual Exercises and his brush with the dreaded Inquisition.
Paolo Dy had written an excellent distillation of life highlights based on the autobiography of the saint himself. The first half may feel slow on the build up, but it escalated its pace steadily and surely. By the second half that detailed his spiritual transformation, the words were so beautifully written and so inspirational to listen to. You may worry a religious film like this may be boring, but this was not. It was engaging, and got better as the film went on. There were even some moments of unexpected humor.
Lead actor Andreas Munoz really rallied in the second half to display his most passionate acting performance. There was no doubting his sincerity when he was acting out St. Ignatius's eloquent words, while preaching on the streets of Salamanca with his early disciples, and especially in those intense scenes in the cave and on trial.
As the main antagonist, Gonzalo Trujillo seemed miscast as the formidable lead Inquisitor Fr. Frias. He did not even fit his costumes well and this affected his credibility with his role. Julio Perillan had his good moments as Inigo's defender Fr. Sanchez, particularly in his closing argument. However, his very thick, almost bouffant hairstyle can be distracting.
Paolo Dy did very well for his ambitious directorial debut for a film of such epic scope. His telling of this sprawling story managed to be generally clear in its focus. The second half is very wordy and philosophical, but Dy was able to execute and present this part in a fascinating manner, which was a very pleasant surprise. He seemed to be over-reliant on showing montages of flashbacks of Inigo's various life moments. These can be confounding as they were being repeated in various times, sometimes with unclear motivations.
"Ignacio de Loyola" does not feel like a Filipino film at all not only because of the all-Spanish cast and the English dialogue. The camera work and film editing were simple but clean and commendable. Ryan Cayabyab's musical score was really breathtaking as it soared during the intensely inspirational moments of the film, and was hauntingly quiet in the most intimate scenes. Actually hearing this music performed live while watching the film gave an additional richness of dimension. The quality of the visual effects and some costumes may betray the limited budget, but these were only minor quibbles in the general scheme of things.
This film exhorts us to be better soldiers of God during our life, mainly by denying the temporal trappings and prioritizing what really matters most. If you watch this film with the proper frame of mind and attitude, the message will definitely get across and egg you to learn more about St. Ignatius's life and times, as well as about his most important legacy -- the Society of Jesus and setting the "world on fire" with the passion for God.
Film alone: 8/10. With the live orchestral musical score: 9/10.
July 21, 2016
This film had been hailed as one of the best Filipino films of 2015. It came with many accolades, awards, citations and nominations from foreign film festivals before it was first shown locally last October 2015 during the 2015 QCinema Film Festival. It was only this week that it finally had its limited commercial run in only very few local cinemas, perhaps because of its MTRCB rating of R-18.
The year is 1993, in a place called Marag Valley, where there was a civil war between soldiers and militant rebels. As a result, there are displaced people in that area called "internal refugees". Nardo and wife Emma are among those forcefully uprooted from their homes and brought to live in another place by the military. However, they eventually met and made friends with a genial soldier named Joel.
On one night marked by a lunar eclipse, Joel visited Nardo and Emma. They start by playing card games. As the night progressed, the visit eventually progresses to comparing notes and surprise revelations. The secrets lead to philosophical discussions about the armed conflict, charismatic leaders, their friendship and sex.
The very detailed opening credits were shown in absolute silence. The film quality is grainy, with a dull color palette, shot in dim light. The camera work is rather shaky as it followed the three main (and only) characters in one long continuous take. The main (and only) setting was in and around a hovel in a forested area, furnished only with a dining table and a bed. These set the sombre mood for the whole film perfectly. After the final shot, there will be an empty screen and total silence.
The dialogue written by director Jun Robles Lana is like it was written for a theater stage. It felt as if this material started from the Virgin Labfest with its stark setting, daring theme and frank language. The words tend to be poetic, not exactly sounding like words people will use in actual conversation in real life. However, in the context of this film, the language of the script was on point, and not pretentious.
LJ Reyes plays Emma, the woman caught between two men of different political persuasions. Emma is a strong character with her own independent mind. She had her own plans and had the steel will to execute them well. Reyes's Emma was raw and earthy. Her lusty performance earned her a well-deserved Best Actress award both abroad in the Vladivostok film fest, and locally in the most credible Urian critics award.
Anthony Falcon underplayed for the most part as the husband Nardo. He finally got his dramatic highlight in the penultimate act when Nardo's pent-up dam of emotion eventually gave way with his frustration. Luis Alandy played the soldier Joel like a confident rogue who knew he could have his way with the ladies and get away with it. With his refined features, Alandy seemed out of place in that rough neck of the woods yet he used it very much to his advantage given the nature of the story.
After his two previous entries in his acclaimed rural films, namely "Bwakaw" and "Barber's Tale", writer-director Lana reaches an artistic peak with "Anino." They play poker in the first act, foreshadowing the element of cunning and strategy which will be expertly unfolded in the course of the film. The notorious 15-minute sex scene may seem gratuitous, yet it was also symbolically necessary on hindsight. Despite the uncommercial look and language, the audience will definitely be riveted into this tale of charades and conspiracy within this triumvirate of flawed and duplicitous characters. 9/10.
July 21 2016
Colonel Katherine Powell is overseeing a mission to capture members of the notorious Al-Shabaab militant extremist group in their hideout in Nairobi, Kenya. Undercover field agent Jama Farah uses a short-range drones, one in the form of a bird and another in the form of a beetle, to get a closer look at the enemy. USAF pilot Steve Watts provides aerial surveillance via a Reaper drone he controls from Nevada.
When it was determined that these terrorists were about to launch another deadly attack at that moment, the mission was heightened to kill the perpetrators. Before the bomb is actually launched though, there had to be a series of diplomatic legal decisions through a complex chain of command, cognizant of the potential collateral damage to civilians around the immediate target premises.
Such is a short synopsis of this heart-gripping military thriller, "Eye in the Sky." Unlike other films of the same genre, this one highlighted the most current equipment of warfare. Of particular interest here are the long-range and short-range drones used not only to infiltrate but also destroy enemy targets. There was also advanced facial recognition technology in play here. These high-grade technological gadgets were amazing to behold in action.
It was also very interesting to see people (military and political) from all over the world decide on the actions to be taken in one specific mission via teleconferencing using images simultaneously provided to all concerned by these drones. How these international group of officials make major life and death decisions from conference rooms far removed from the actual place of operation is eye-opening.
Helen Mirren was tough as nails as the decisive team leader, Col. Powell, very convincing. The late Alan Rickman gave another memorable performance as Lt. Gen. Benson, who coordinated the London group. His delivery of his final line was perfection. Aaron Paul gives an emotional performance as the main drone pilot Watts. Barkhad Adbi, recent Oscar nominee for Best Supporting Actor for his turn as a Somali pirate in "Captain Phillips," played the onsite Kenyan operative with grit.
The heart of the suspense and drama of this film is little Alia, a Kenyan girl selling bread at the wrong place and time. With her as focal point, South African director Gavin Hood creates an atmosphere of high-tension with his skillfully-timed editing of scenes. Distantly located officials arguing and quibbling via teleconference may sound dull on paper (not to mention that ugly local poster), but watching this riveting film definitely disproved that first impression. This film had action, adrenaline, and more importantly, heart. 8/10
July 17, 2016
"The Purge" (2013) (MY REVIEW) posited that in the year 2022, the US government under its "New Founding Fathers" enacted a law enabling people to legally commit any crime on the 21st day of March each year, from 7 pm to 7 am the following day. They do this to ensure a crime-free year the whole year round. The filmmakers decided to limit the scope of that first film within the confines of a single house. In the sequel called "The Purge:Anarchy" (2014) (MY REVIEW), we finally get to see the purging events that happened out in the streets, and it was not pretty.
In this third installment set in the year 2040, we meet US Senator Charlie Roan. Her family was killed in front of her during the very first Purge Night 18 years before. She is now running for US President, with the main campaign promise of putting a stop to the violence of the Purge. The New Founding Fathers of America, headed by Caleb Warren, is threatened by Roan's popularity. So for Purge Night that year, he purposely removed the immunity of government officials, making Roan fair game for elimination.
Frank Grillo, one of the more memorable actors from "Purge 2," is back. His Sgt. Barnes character is now the security officer of Senator Roan, so Grillo (who did not look like he aged 18 years) gets to show off more of his action skills. Elizabeth Mitchell channels Hillary Clinton as she plays Sen. Roan. I cannot help but think if this film had a real-life political agenda in coming out with this film this year, right in the thick of the US Election season. So the biggest question boiled down to -- Who will win the election at the end? Would it be the Pro-Purge NFFA party or would it be the Anti-Purge party of Sen. Roan?
Since we had already seen what happens in and out of the house during Purge Night, there was nothing really new that we can see here in the third episode. So they inject a controversial political issue in the mix, and then by the second half it will boil down again to practically a rehash of "The Purge 2". It is another guessing game which of the characters they introduce in the beginning of the film will end up surviving the Purge or not. Will it be the friendly Storekeeper Joe (Mykelti Williamson)? or Laney the badass EMT (Betty Gabriel)? or how about those two hateful foul-mouthed war-freak Candy Bar Girls?
In short, "Purge 3" is basically just a repeat of "Purge 2" no-holds-barred bloodbath with some creepy white supremacist antagonists. However, it is currently relevant in that it had that additional dimension that ties it to reality, especially with US elections in full steam now. Locally, it seems our society is having a Purge of our own, with the rash of deadly shootings involving drug addicts, though this real one does not end in only 12 hours. Anyhow, I liked those masks representing historical American icons which the evil purgers used -- definitely a creepy highlight. I still thought "Purge 2" is still better than this one though. 5/10.
