Review of ANGEL HAS FALLEN: Far-fetched Frame-up

August 23, 2019

After surviving a disastrous attack of explosive drones during a fishing trip, Secret Service agent Mike Banning had been framed for attempting to murder US President Allan Trumbull whom he was supposed to protect. Banning first had to escape from custody, evade pursuers, and somehow figure out a way to exonerate himself and at the same time prevent the real perpetrators from finishing the ailing President off. 

"Angel Has Fallen" is the third episode in the Fallen film series (after "Olympus Has Fallen" in 2013 and "London Has Fallen" in 2016) about Secret Service agent Mike Banning (Gerald Butler) and his heroic exploits against brazen terrorists out to assassinate the President of the United States. The only other cast member who appeared in all three films was Morgan Freeman as Allan Trumbull. Trumbull was Speaker of the House in "Olympus," Vice President in "London" and President in "Angel."

The rest of the cast in "Angel" are new actors. Piper Perabo now played Mike's wife Leah Banning, who was previously played by Radha Miller. Lance Reddick played the new Secret Service director David Gentry, taking over from Angela Bassett's Lynn Jacob. Perhaps to make up for Bassett's absence, they added the character of a hard-nosed female FBI agent Helen Thompson played by Jada Pinkett Smith. 

Nick Nolte created a standout character as Mike's estranged father Clay Banning. Even if the circumstances of their father-son reunion was rather far-fetched, Nolte gave the story a moving dramatic angle amidst all the hardcore action. Danny Huston played Mike's friend from his Rangers days Wade Jennings, whose eventual character arc was very obvious from his very first scene. Tim Blake Nelson played a most unpresidential-looking Vice President Kirby. 

Gerald Butler looked really grizzled here already. Banning's exploits in this film were incredible as we suspend our disbelief to accept that he single-handedly took on the SS, the FBI, the police and more than all that, even the real bad guys and all their high tech weaponry. A lot of action in this film took place in darkness and there were a number of shaky cam scenes, so it can be a strain to watch in dim theaters. 

Anyhow, as over-the-top the plot may be, this remained engrossing as an action thriller, continuing the pace set by the two previous films. Despite all these odds against him, we still root for Banning to turn things around for himself and his family, achieve his impossible mission for the President and save the day for the USA. 6/10. 

Review of JUST A STRANGER: Forbidden Fire

August 23, 2019

Sexy films of late had been exploiting the affairs between  a lonely bored older female and a buff vigorous younger male. Within this month of August alone, there had been already two other films with this basic plot, namely "Glorious," "Belle Douleur" and "Malamaya." This trend continues and had now extended into the mainstream domain with "Just a Stranger." While this one contained all the main ingredients, writer-director Jason Paul Laxamana managed to give it a spin all his own to make it stand out over the others. 

30-something Mae (Anne Curtis) is the trophy wife of a successful wealthy businessman Phil Pimentel (Edu Manzano). While sunbathing on a beach in Lisbon, Portugal, Mae met 19 year-old Jericho (Marco Gumabao), son of a Philippine diplomat. Mae took up Jericho's offer of a private tour, which led to playful teasing about their age difference, and much later, ended up in a hotel bed together for a night of lustful intimacy. After that steamy one-night stand though, higher cosmic forces had other plans for Mae and Jericho.

Anne Curtis is continuing her winning streak on the big screen which started last year with "Sid and Aya," "Buybust" and "Aurora". As the mysterious Mae, Curtis totally owned this movie with a winsome likable portrayal of a flawed character of questionable morality. Curtis's Mae was a femme fatale through and through. We actually do not know anything about her past, nor her exact age. She knew she was beautiful and sexy and she used it to dig gold, and she got what she wanted. Her best scene was that bold tirade in the church, delivered as only Curtis can, and still get away with it with class and camp. 

Marco Gumabao played Mae's boytoy Jericho. When we first met Jericho in Lisbon, he was all macho and confident lover boy. But later we discover that his bravado was all a front for an immature boy Jekjek, struggling under the collective thumbs of his controlling parents Rufi and Judi (Robert Sena and Isay Alvarez) and his sweet virginal girlfriend Febbie (Jasmine Hollingworth). Gumabao may look too mature to convince us he was only 19, but performance-wise, he did convince us that he was a lost little child inside that man.

As an onscreen pair, Curtis and Gumabao looked compatible together. There was no awkward May-December feel at all between them. With Curtis's youthful aura, she never came off as twice Gumabao's age at all, as the movie wanted us to accept. We sensed that their union, illicit as it may be, was actually good for these two attractive but lonely people. Laxamana created an ironic situation where these two trapped characters were only free when they were together, but their whole relationship itself was imprisoned in a cage of societal conventions. 

Laxamana used the device of a confessional box to narrate how Mae and Jericho's forbidden love story began and progressed. The young priest was just newly-ordained and was on his first day on the job, then here comes this classy woman, dressed all in black (hat, shades and ensemble) kneeling in front of him to confess her sins.  Josef Elizalde's portrayal as the priest was unexpectedly entertaining. His curious priest was quite nosy about the lurid details of their affair, and his side comments were very funny.

Jason Paul Laxamana is on a roll with his sad love stories “100 Tula Para kay Stella”, “The Day After Valentine” and “Between Maybes” all doing well at the box office. The technical aspects (cinematography, editing, sound, music) were all of topnotch and glossy quality. Laxamana's pride in his home province of Pampanga was evident in his expositions about the history and culture of San Fernando.  The central relationship of "Just a Stranger" did not end as open as they did in Laxamana's other films, but I wished there could have been another way out for them. 8/10.

Review of MINA-ANUD: Drowning in Drugs

August 21, 2019

Mina-anud is an island included in the province of Eastern Samar. One morning, fishermen saw hundreds of uniform packages with a scorpion emblem on them which washed up on their shores. The packs contained a white powder which the islanders had never seen before Meanwhile in Borongan, Samar, a couple of down-on-their-luck surfing instructors, Ding and Carlo, got their hands on one of these packs. They discovered that the powder was in fact cocaine and saw that this may be the way out of their financial misfortunes.

Cautionary tales about how indigent people react with the sudden arrival of big wealth had been done before. Among local films, the most notable film with this theme was "Misterio sa Tuwa" (Abbo Q. dela Cruz, 1984), about villagers in a remote village gaining possession of suitcase of cold hard cash thanks to a plane wreck. In "Mina-anud," we also see how money corrupted the naive islanders. Their moral compass just went out of order in the face of all the material things they could buy with the money. The glittery end justified the means, no matter how foul these means were -- in this case illegal drugs. 

Dennis Trillo was supposed to be the more sensible friend Ding, but his deteriorating relationship with his wife and his incapacity to provide well for his family pushed him down a dark road of desperate actions. Jerald Napoles was back in familiar ground as a reckless foolish sex maniac in the character of Carlo, but this time he had a demented grandmother to keep him grounded. It would have been interesting to see if the casting of these two lead roles could be reversed so each actor could play against their usual type. 

Talking about playing against type, Matteo Guidicelli did just that. He played Paul, a homeboy who made it into show business.  He may look fit and clean-cut, but he also hosted wild parties in his condo. Lou Veloso played Cap Mario, the barangay chairman of Mina-anud. He may not have had any idea what the tide brought in at first, but he learned quickly what those packets meant. Alvin Anson played PDEA agent Enriquez who led the recovery mission in Mina-anud. This law enforcer also had a twisted streak in him. 

Once you get the drift of the story, you sort of already knew how it was going to go. At first, it was going to be all systems go, towards easy money. However, later on, the law was really going to catch up with them. Similar to the style of several recent films, director Kerwin Go decided to start his movie with a climactic event set in a diner, and then flashed back to build up to that climax. Therefore it was not really a surprise anymore what was going to happen. That might mean that this climax was not really the point of the whole film.

Amidst the vein of black comedy which ran throughout this film, there was also a potent warning against going into the illegal drug business, no matter how lucrative it may seem. This film also made strong commentary against the unfortunate prevalence of drugs in the tourist industry, in show business and in a corrupted government. The final sequence was a sobering reflection of what we all fear is happening for real.

I am not really sure if Mina-anud is a real place name, or is it a play on the words "may inanod" (Tagalog for "something got washed ashore") referring to the packages of cocaine which triggered the whole chain of events that led to ruined lives. The fact that incidents of cargo-loads of drugs in the ocean are being dumped in the ocean were in fact in the news recently makes this film very relevant and timely. 7/10. 

Review of DORA AND THE LOST CITY OF GOLD: Childish but Charming

August 18, 2019

For eight seasons since year 2000, Dora the Explorer was one of the most popular and long-running Nickelodeon TV shows for young kids. It featured a seven year-old Latina girl who loved going on fun adventures with her little monkey Boots, her trusty purple Backpack and her Map.

During the show she would break the fourth wall to teach her audience to speak simple Spanish words or ask their help in solving simple problems or riddles she faced in her quest. Her frequent nemesis was the wily masked fox Swiper who always tried to steal her map away. Three years into the series, her 8 year-old cousin Diego joined in her adventures.

This live action version of Dora the Explorer began with how we knew her and Diego from the cartoon, as children living in the jungles of Peru. However, the two best friends were separated when Diego was brought by his mom to live in Los Angeles in the US. Then fast forward 10 years, Dora was now a teenager, but still perky and spirited as ever. 

Because her parents had to leave to search for the lost city of gold Parapata, Dora was sent to live with Diego's family in the meantime. She found it hard to fit into an American high school as her classmates found her behavior borne out of her homeschooling in the jungle to be very odd. One day, while her class was on a field trip to the museum, Dora and her group mates Diego, Sammy and Randy were suddenly abducted, setting them off on a big adventure back in the Peruvian jungle to search for her parents.

I thought this film was fun to watch, especially when it revived moments from the TV series. Yes, being ever chirpy and happy, Dora had some pretty cringey scenes for which you feel embarrassed for the 18-year old actress playing her Isabela Moner. But hey, she was right in character and she was delightful. This was how positive and excited Dora was supposed to be! Moner had been in films like "Transformers: The Last Knight" (2017) and "Sicario: Night of the Soldado" (2018). Now, she is headlining a film herself, and she gamely went all-out for it. 

Her gang of high school friends were all played by new young actors. Thin and lanky Jeff Wahlberg (his mother was of Dominican descent) awkwardly played teenage Diego. His dance moves at the end would put his uncle Mark to shame (literally). Madeleine Madden is a former Australian child actress with aboriginal lineage, making her Hollywood debut as the smart and sassy Sammy. Nicholas Coombe, who also hailed from Australia, played the introverted astronomy nerd Randy. 

Acclaimed Mexican actor and comedian Eugenio Derbez played Alejandro Gutierrez, a wacky Peruvian professor who tagged along with Dora on her quest for her parents. Michael Pena and a heftier Eva Longoria played Dora's parents, who emphasized that they were explorers, not treasure hunters. Major Latino actors Benicio del Toro and Danny Trejo lend their voices to animated anthropomorphic animal characters Swiper and Boots respectively. Sasha Toro, Backpack's voice in the original TV series, reprised his role here. 

Overall, this is an enjoyable treat for parents who had once spent endless hours watching those Dora cartoons with our babies. The memories begin when you hear that infectious theme song sung over the opening sequence. The best part of the movie for me was that nostalgic animated interlude in the middle of the film when you also get to see the other animals in the Dora franchise make a short cameo appearances. The temple puzzle they had to solve at the climax felt like Indiana Jones meets Scooby Doo. This was entertaining fare for our inner child. 6/10. 

Review of 47 METERS DOWN: UNCAGED: Shark Snack Sisters

August 16, 2019

I was not able to watch the first "47 Meters Down" film when it was shown two years ago, but I knew the story was about two sisters who went on a cage dive in Mexico to see sharks up close, but disaster struck and the two were shark bait. This second film in the series had basically the same ingredients -- two sisters, bikinis, Mexico and sharks. However disaster struck and they became shark bait when they were doing another type of undersea adventure (hence the subtitle "Uncaged" since a cage was not in this new picture). 

The unpopular Mia (Sophie Nelisse) and her popular half-sister Sasha (Corinne Foxx) were invited by Sasha's girlfriends Alexa (Brianne Tju) and Nicole (Sistine Stallone) to go diving inside the underground caves under their town in the Yucatan peninsula. It had been discovered by Mia's dad Grant (John Corbett) that there was an ancient Mayan city buried in those caves, the girls wanted to go explore the ruins. Unfortunately, some blind hungry man-eating sharks were waiting for them in there.

The strained relationship of the two half-sisters were established in the first few scenes without so much of an explanation about their family's history and dynamics.  We know Mia was shy and mousy, while Sasha was cool and cold. Alexa was adventurous but a careful stickler for rules of procedure. On the other hand, Nicole was careless and reckless, an annoying troublemaker from the get-go. 

Their risky expedition was going fine until Nicole's stupid antics would trigger a chain reaction which led to them being trapped with no where else to go but further down into the unknown. The girls would also encounter Mia's father and his two employees Ben and Carl, who were all working deeper inside the cave, along the way. The first deadly shark attack happened suddenly, jump-scare style. After that, the human characters would perish one by one to the sharks, leaving only those who were most worthy to survive. 

The four girls in the lead cast were not too familiar. Nelisse had grown up since I last saw her play the child lead in "The Book Thief" (2013). Foxx and Stallone were notable only because of their last names derived from their famous fathers Jamie and Sylvester respectively. Tju was once a child actress on the Disney Channel. A couple of 1990s TV stars were cast to play the half sisters' parents. John Corbett had grown much grizzlier since his "Sex and the City" heyday. Nia Long, as their mother Jennifer, was also much heftier since her "Fresh Prince of Bel Air" days. 

Ok, so the girls were all very flighty and shrieky throughout their ordeal in the green murky depths, but I thought this film was paced quite well by writer-director Johannes Roberts (who also wrote and directed the first movie). The blind sharks looked bigger, scarier, and were much hungrier since they had not had a good protein-rich meal for a very long time being trapped in that underground cave. The whole situation in the dark confined spaces underwater made things all eerie and claustrophobic, with the limited oxygen in their tanks adding more urgency. The twist ending sequence was very original and a lot of fun. Not serious like "Jaws" or "The Shallows," but good entertainment as shark films go. 6/10. 

3 Mini-Reviews: SCARY STORIES TO TELL IN THE DARK, THE ART OF RACING IN THE RAIN and AFTER THE WEDDING:

August 15, 2019

SCARY STORIES TO TELL IN THE DARK

Director: André Øvredal

It was Halloween 1968, in Mill Valley, Pennsylvania, three friends Stella (Zoe Colletti) and her friends visited an old haunted house and found a book of scary stories written by one Sarah Bellows. Stella was surprised to see that the book was writing a new story on one of the empty pages about a certain character named after one of her friends, and she realized it meant that that friend was facing serious danger.

Like "Goosebumps" and other juvenile horror films, this one is also based on a children's book series (written by Alvin Schwartz). The name of Guillermo del Toro was prominently billed as the producer and the story concept. So it was not a surprise to see his trademark scary monsters in this film. We see monsters like Harold the Scarecrow, the Toe Monster, the Pale Lady and the Jangly Man, delivering all their rated-PG scares, with the vision of Norwegian director André Øvredal. 6/10.

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THE ART OF RACING IN THE RAIN

Director: Simon Curtis

An old Golden Retriever Enzo (voiced by Kevin Costner) narrated his life with his master and friend -- race car driver Denny (Milo Ventimiglia) -- how Denny married Eve (Amanda Seyfried) and had a daughter Zoe, and how Denny dealt with serious medical issues and messy legal adversities threatening his family's integrity along his journey to becoming an F1 racer. 

This year 2019 already had two dog movies in the first half of the year: "A Dog's Journey" and "A Dog's Way Home." Both of these were similar-themed, tear-jerking films about a loyal dog and his kinship with his master. Despite the absence of the word "dog" in the title, "The Art of Racing in the Rain" followed the same winsome formula that made the other two films so endearing to dog-lovers. Kevin Costner's grizzled voice gave Enzo so much heart, we can't help but be riveted by his story, even if it seems all too familiar. 6/10. 

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AFTER THE WEDDING

Director: Bart Freundlich

Isabel (Michelle Williams) managed an orphanage in Kolkata, India which was facing financial constraint. She received information that New York millionaire Theresa Young (Julianne Moore) would like to meet her in person and then give her orphanage a major donation. After their first meeting, Theresa invited Isabel to the wedding of her daughter Grace (Abby Quinn). At the wedding, Isabel realized that Theresa's husband was Oscar (Billy Crudup), a man she once knew but had not seen in 20 years.

This family drama was actually based on acclaimed Danish director Susanne Bier's similarly-titled film in 2006 which was nominated for the Best Foreign Language Film category that Oscars season. For this remake, it decided to switch the gender of the protagonists from male to female while retaining the pertinent plot points. While Moore and Williams are competent actresses and the story was good on unfolding surprises, the direction of Bart Freundlich tended to be too slow at the start and too melodramatic at the end. 6/10.

Review of INDAK: Pernicious Protagonist

August 13, 2019

There had been plenty of dance movies from Hollywood, from the tap and ballroom (films of Fred Astaire and Ginger Rogers) to ballet ("Turning Point" and "Black Swan") to jazz ("A Chorus Line" and "All That Jazz" ) to contemporary ("Flashdance" and "Breakin'". The most recent examples would be the five "Step Up" films which spanned from 2006 to 2014.  For Filipino films, I remember only "Dance O Rama" (1963) and the various macho dancer films by Lino Brocka and Mel Chionglo in the 1980s. I could not think of another recent Filipino film that focused on dance aside from this new one called "Indak."

Jen (Nadine Lustre) was an island lass from Bantayan in Cebu province. She loved to dance, however, because of a childhood trauma, she shied away from public performance. Because of her viral dance video, Vin (Sam Concepcion), the leader of a group of dancers called Indak Pilipinas, personally went to Bantayan to invite Jen to join them on their bid to join and win the World Dance Competition in Seoul, Korea. For Jen, this was the most major decision she had to make in her whole young life  -- to leave her mother (Yayo Aguila) behind and to find courage to dance on stage again. 

No offense to Ms. Lustre, but I cannot get myself to root for her character Jen, or to even like her the way she was written. She was such a major drama queen of the most entitled, inconsiderate, selfish and toxic kind, and the script did not find it necessary for her to explain her questionable actions, so what we see stands as is. I actually found myself agreeing with the supposed antagonist Steph (Nicole Ormillo) -- Jen was really trouble for the Indak team. 

On the day of the flight to Seoul, did she really have to sit around in her bedroom so long thinking of who knows what, giving everyone stress at the airport by not showing up and making Vin wait up for her, only to finally show up after the plane had already departed? Despite of their limited funds, Vin and Jen actually had to rebook a new flight to Seoul because of Jen's irresponsible stunt. 

On the day of the competition proper, did she really have to isolate herself in one dark room by herself, again thinking of who knows what, away from her other teammates who did not even know where she was, only to join them when they were already called onstage? Jen knew pretty well that she had critical role in their group dance formations. Was she actually going to let her team dance with a gaping hole where she was supposed to be? 

In one scene, Jen picked up Vin's phone and saw in one of the photos that Vin had not told her about one truly devastating event in his life. Despite her invasion of his privacy, Jen had the temerity to be the one to feel hurt for not being told, and even just walked out to leave Vin there on the table in tears. This inexplicable diva drama of Jen was intolerable after everything Vin did for her -- bringing her into the group despite their misgivings, letting her stay in his pad with free room and board, practically babysitting her all the way. 

In the first place, her so-called childhood traumatic experience was shown to be very minor one only. I am sure all of us had lived through and moved on from even more embarrassing public moments than hers. The script really should have beefed up this trauma and made it more convincing to be of such life-changing impact to cripple her whole perspective of life. Also, the script did not make it clear where Jen got the funding to buy her sexy dance wardrobe, which looked a lot more expensive than anyone else's in the Indak group. 

The musical soundtrack was excellent with a number of exciting upbeat dance tunes and some beautiful slow dance songs for change of pace. But to be totally honest, despite the music video directorial skills of Paul Alexei Basinillo, the dance scenes did not really wow me that much. Neither the Indak rehearsals nor the foreign team finalists were impressive. Concepcion and Lustre should not have dared to dance solos with the Korean street break-dancers, as this only showed off their limitations in moves. Thankfully, the actual competition number of Indak had significant screen impact, or else this film would be a total loss. 4/10. 

Review of CRAWL: Alarming Alligators

August 12, 2019

Like there had been a number of horror films about man-eating sharks, there had also been a good number of films where it was alligators or crocodiles terrorizing humans. Perhaps the best remembered of these had been "Alligator" (Lewis Teague, 1980), "Lake Placid" (Steve Miner, 1999), "Black Water" (David Nerlich, 2007) and "Rogue" (Greg McLean, 2007). They are reviving this sub-genre of creature film again this year with "Crawl."

Collegiate varsity swimmer Haley Keller defied warnings of a Category 5 hurricane in the state of Florida to search for her father in their old house in Coral Lake. With the help of their faithful pet dog Sugar, Haley found her dad Dave injured on the floor of the crawl space under the house. 

However, before she can get her father up into the house, a pair of hungry alligators appeared and attacked them. They had to scramble to the safety of a tight space where gators can't fit. Trapped with nowhere else to go, they need to figure out how to get out to safety before the flood waters came in to drown them.

The story was actually a very simple one. A daughter trying to save her father from the natural calamity, but to make things so much worse -- hungry predatory reptiles crawled and swam where they needed to go. The two must rely on their wits, resourcefulness, physical abilities and resistance to pain to be able to get themselves out of danger. As they faced their common ordeal together, father and daughter got to rekindle their close relationship.

This film was practically a two-hander starring Kaya Scodelario (as Haley) and Barry Pepper (as her dad Dave). They were so committed to their never-say-die roles, even if the things they were doing were already beyond normal human capabilities given their situations and their injuries. The rest of the cast were practically just fodder for the gators to gobble up before setting up for the climactic battle of the Kellers versus the beasts.

Director Alexandre Aja is known for his B-grade gory horror films like "The Hills Have Eyes" (2006), and "Piranja 3D" (2010). For the claustrophobic horror of "Crawl," he cranked up the frightening tension caused by those insatiable alligators attacking and eating anything that moved. Aja had all sorts of exciting permutations on how gators would attack the humans and had all the best ideas for angles for effective shocks and scares. 

How "The Shallows" (Jaume Collet-Serra, 2016) raised the bar again for the shark films, "Crawl" did for the alligator films. Yes, irrational humans and alligator behavior notwithstanding, "Crawl" certainly turned out much better than I initially expected going in. 7/10. 

CINEMALAYA 2019: Review of F#*@BOIS: Sleazy Suspense

August 9, 2019

This was the one title that immediately caught attention from the time it was announced among the next batch of Cinemalaya features. It was unbelievable that the whole F-word (a spelling variation, but pronounced the same way) found itself in a local movie title. I thought it would just be a working title of sorts, but it actually made it all the way to the actual festival (although three letters would be replaced by characters in the final poster, tickets and brochures).

I guess seeing these vulgar-sounding millennial words in movie titles make them mainstream normal now. First there was "Momol Nights," now there's "Fuccbois." I admit, I still cannot say these words out loud. 

The titular "Fuccbois" were Ace Policarpio (23 years old from Macabebe, Pampanga) and Miko Ramos (18 years old from Bacacay, Albay). They work as male models joining bikini pageants in gay bars. They both aspired to be movie actors and were also popular Instagram personalities with significant fan following. One night, the two boys were blackmailed into going with a slimy politician to a private island resort for a night of lascivious carousing, or else a salacious video of them would be posted on the internet.

The two lead actors, Royce Cabrera (as Ace) and Kokoy de Santos (as Mico), were brave souls unafraid to bare their bodies in their first lead roles (their biggest break after years of small roles), as they playing a couple of guys who would do practically anything to get ahead in life. Fortunately, there was also substance in their raw acting styles, projecting a certain vulnerability in their flawed characters that still made the audience care about the very tight predicament they're in, understand why they did what they did and actually root for them to get away with it. 

Ricky Davao won a Best Supporting Actor award for quietly underplaying his character in "Paki" (CinemaOne 2017). For this Cinemalaya 2019, Davao is again on top of the shortlist for the Best Supporting Actor award, but this time for a crazy, unhinged, scary, over-the-top performance of a gay sex maniac as Mayor "Party, Party" Fernan. Hearing him sweetly say the words "Come to Mommy, boys" with that lecherous smile on his face sent all sorts of sick disgusting shivers going up and down my spine. 

This movie was like two separate movies in one. The first half was a view inside the sleazy male model industry, chronicling the gaudy glitter of one Mr. Galaxy pageant night participated in by the two protagonists. Once the two boys were with the politician, the movie shifted gears to become a dark, tense and effective suspense thriller. Director Eduardo Roy, Jr. (who had impressed us before with "Pamilya Ordinaryo" in Cinemalaya 2016) managed to smoothly transition in color, tone and mood to go beyond the exploitative nature of the subject matter. That abrupt ending felt like a grim cave-in. 7/10. 

CINEMALAYA 2019: Review of JOHN DENVER TRENDING: Brutally Bullied

August 8, 2019

Sta. Ines Catholic High School Grade 8 student John Denver Cabungcal got into a fight with classmate Mark who wrongly accused by him of stealing his iPad while it was charging in the classroom. An incriminating video of this fight and photos of Mark's swollen face were immediately uploaded by another classmate Carlos on Facebook, complete with an angry, inciting message. The post promptly became viral locally and later throughout the country, making poor John Denver a hated nationwide villain. Only his mother Marites steadfastly stood by his side to defend his honor. 

This grim story was set in the town of Pandan in the province of Antique. The dialogue was all in the local dialect of Antique -- Kinaray-a. This was only the second such film I had seen, the first being "Tuos" (MY REVIEW) which was also an entry in Cinemalaya back in 2016. Meryl Soriano (as Marites) was the only well-known actress in the cast, everyone else were probably local actors in the area, which gave this film a very natural and realistic feel, and a much stronger impact. 

Despite what the title might suggest, this is definitely not a light film. In "John Denver," the dark serious feels were persistent from beginning to end. This film makes you feel so helpless and so furious that these cruel things were happening to a young kid. Kids should never be subject to such brutal bullying, not only from fellow kids, but also from adults, and worse, adults in authority. This high-tech era, cyberbullying is even more terrible since these hurtful words can come from all over the country and even the world.

Meryl Soriano played Marites as a very strong woman who worked very hard to raise her family of three kids on her own, while her husband was away on his military duties. She spoke Kinaray-a like a native in those long lines of her character as she stood by the words of her son John Denver as the only version of the truth she accepted. As a parent, I stand by her conviction, and wish I could match her fortitude and boldness in defending her son when the time comes. It was likewise bothering how the parent is always the last to know.

New actor 15-year old Jansen Magpusao is a revelation in the lead role of John Denver, just a regular kid given to occasional misdemeanors. His character was not one of many words. He would keep his problems to himself so as not to bother and add more concerns to his harried mother. So mostly it was only his face which had to convey the turmoil of emotions within him. Fortunately, the camera loves his expressive face, the angles and the lighting made his silent close-ups so poignant. His inexperience is occasionally betrayed by some awkward line delivery, however in this case, it actually enhanced authenticity.

Everything that could go wrong in a case like this was explored. The most maddening scene was that when the video statement of copra farmer Mang Mando (Glenn Mas) digitally manipulated to seal John Denver's fate. The most chilling scene was that one-on-one confrontation scene where police officer SPO1 Rolando Corpus (Sammy Rubido) was intimidating and coercing John Denver to confess to something he never did. 

This film was indeed a very powerful and timely statement against bullying, physically and verbally in person, or virtually online. It talked about the dangerous power of social media in shaping public perception and opinion with biased news or worse, fake news, and its unrelenting negative consequences for the victim involved. New director Arden Rod Condez approached the topic with utmost severity of focus. Several prior scenes may have been foreshadowing the ending, but it will still knock your breath away. 9/10. 

CINEMALAYA 2019: Review of MALAMAYA: Unusually Unapologetic

August 8, 2019

Nora is a 45 year-old veteran in the local art scene noted for her multi-media artwork, painting using oil with various cloth pieces for texture. She was notorious in her circle and among the millennial art students for being snobbish, not wanting to sell her paintings because she sees them as her children. She lived alone in her big house, with only her Persian cat Luna for company. 

One day, she met Migs in an art gallery, and they hit it off because of their common love for smoking. He was a 30 year-old young man, a fledgling photographer by trade. From his first scene, he immediately came across as a bad boy, lighting up a cigarette inside the exhibit hall, which of course, caught the attention of Nora, a chain-smoker herself. Their initial meeting immediately led to a romp in bed in Nora's house. 

Sunshine Cruz brought to life a Nora who was not the stereotypical image of a spinster. She was always stylishly dressed with perfectly coiffed hair. She was not deprived in the sex department, since she would have casual dalliances with the pottery teacher Jim (Raymond Bagatsing) on her call. She steadfastly stuck to her personal artistic philosophies, no matter how unpopular. She spoke frankly with pointed language. Cruz successfully pulled off that distinct "artist" temperament, as if she really was a painter. 

Enzo Pineda played Migs as an arrogant, selfish guy. He wore shades and broods to look cool, not exactly an original portrayal of a Romeo. Onscreen, Pineda did not have chemistry with Cruz at all, in my opinion. To be fair, the script never really made him likable. He was boorish and messy around the house. He watched basketball games with loud commentary and startling commentary. He did not take criticism about his photography well. He was shown not to have any integrity of character. 

Aside from "Belle Douleur," "Malamaya" was the other film from Cinemalaya 2019 which also featured a torrid May-December love affair between an older woman and a much younger man. In my review of "Belle," I suspected that these films will most probably follow the same basic formula of single older woman swept off her feet by the attention of a young hunk, which later led to a generous serving of steamy scantily-clad scenes in the bedroom. I was not wrong with this assumption, these basic plot points were all there. 

Interesting to note that both of these films were written and directed by female filmmakers, but they were not certainly told in the same way. "Belle" followed a more typical, old school style of soft romantic storytelling, with dimmed lighting and swelling musical soundtrack, that includes "La Vie en Rose." Under the hands of young experimental directors Danica Sta. Lucia and Leilani Chavez, "Malamaya" dared to tread a less-beaten pathway as it unfolded its tale, with its flawed toxic characters and decidedly hard unromantic attack. 

I commend the ladies behind "Malamaya" for bringing to fore the lively Filipino art scene. Many scenes featured a breathtakingly beautiful painting or artwork somewhere in the frame. There were scenes shot in Angono, Rizal, the so-called art capital of the Philippines, haven to many local artists and home to the colorful Higantes festival. When the directors revealed that Nora was actually based on a real-life artist, the character gained a sheen of dignified individuality.  6/10.