January 29, 2013
The Oscar for Best Animated Feature was first given in the 74th Academy Awards in 2002. The first winner was "Shrek" (Dreamworks, 2001). There are five nominees for Best Animated Feature this year. Of the three nominees that use Stop-Motion animation technique, two of them are in the horror genre. I have ranked them as follows based on the initial impression I had right after watching the films.
1. ParaNorman 9/10 (read my FULL REVIEW)
The stop-motion used in this film by Laika Entertainment is first class and finely detailed. The story about Norman, a boy who can see and speak with spirits. Circumstances turn this boy who was constantly bullied in school for his special gift into a hero who saves his town from destruction by a vengeful witch and her zombies.
Laika had already been nominated twice before. "Corpse Bride" in cooperation with Tim Burton Animation in 2005, and then "Coraline" in 2009. I believe that the top-notch animation technique used in this movie, together with its very good story and script, make "ParaNorman" worthy to be the winner this year in my book.
2. Wreck-It Ralph 7/10 (read my FULL REVIEW)
This is very good old-fashioned animation (in 2D and 3D) by Walt Disney Animation Studios. The story brings us into the world of arcade video games. Wreck-It Ralph is the villain of one such game, but he is tired of being the bad guy. We follow his adventures as he ventures out of his game and seeks the medal of honor that he seeks.
The Disney name is not a guarantee of a nomination nor a win. This is one of very few films from Walt Disney Animation Studios per se (not in cooperation with Pixar) that had been nominated, after "Bolt" (2008) and "The Princess and the Frog" (2009). Both did not win. "Tangled" (2010) and "Winnie the Pooh" (2011) were not even nominated.
3. Pirates! Band of Misfits 7/10 (read my FULL REVIEW)
This is a more modern take on the clay-type stop motion employed in previous films by Aardman Animations like "Wallace and Gromit" and "Chicken Run." "Pirates!" brings us along on the quest of a washed-up Pirate Captain as he seeks to be the Pirate of the Year. He encounters Charles Darwin and Queen Victoria as his misadventures find him mixed up with the scientific society in London.
"Wallace and Gromit: The Curse of the Were-Rabbit" won the big prize in 2005. Can "Pirates!" repeat the feat this year?
4. Brave 6/10 (read my FULL REVIEW)
Pixar's first "princess" movie is its entry into the Oscar race this year. This is the story of the head-strong Princess Merida who would rather hunt with her bow and arrow than get married to her unworthy suitors. Her imperious recklessness leads to an unfortunate fate of ursine proportions for someone very dear to her.
Many of Pixar's previous works have won this category handily, including "Finding Nemo", "The Incredibles", "Ratatouille", "WALL-E", "Up" and "Toy Story 3". I do not think "Brave" lived up to the standards set by those classics.
5. Frankenweenie 5/10 (read my FULL REVIEW)
This is Tim Burton's macabre animated offering, after his live action "Dark Shadows" earlier in the year. The animation of "Frankenweenie" is a throwback to the old-style stop animation with crude moving parts. The story is a homage to the Frankenstein myth, as we follow the adventures of an introverted boy named Victor who uses a scientific set-up to raise his only friend, his pet dog Sparky, from the dead.
Only one other grotesque animated work by Tim Burton had been nominated before, and that was "Corpse Bride" back in 2005. This film "Frankenweenie" is actually receiving a lot of positive buzz to win this year, but nevertheless, it does not really appeal to me. I am ranking this last in my opinion.
January 29, 2013
I sought this film out because it was one of the nominees for the Oscar for Best Animated Feature. I am glad I did as this is an fun and funny family film using the stop-animation technique in a most fluid and advanced execution. My kids enjoyed it as much as I did. However, the story involves intense horror elements like witches, ghosts and zombies which may be too scary for younger kids.
The titular Norman of "ParaNorman" is a sensitive boy who has the so- called "third eye," which enables him to see and actually speak with spirits. This "gift" however makes poor Norman the target for harsh bullying in school. One day, before he died, his similarly gifted uncle, Mr. Penderghast, bequeathed to Norman the duty of placating the town ghost witch which threatens to terrorize their town of Blithe Hollow every year. When Norman fails to perform the ritual correctly, the zombies and the witch herself, wreak their havoc on the town. Can Norman and his friends reverse the curse, placate the spirits and save Blithe Hollow from a ghastly destruction?
The animation employed by Laika Productions for this film is reminiscent of their previous hit films, "Coraline" in 2009 and "Corpse Bride" in 2005. I was also reminded of another horror animated film called "Monster House." The grotesque misshapen faces and bodies of the ghosts and zombies were done very well, just the right amount of scary for their intended young audiences. The dramatic moments are written just right to discuss important issues of bullying, tolerance, and redemption, yet remain to be very entertaining for the kid and adults alike.
After viewing all the nominees for the Oscar for Best Animated Film this year, I find "ParaNorman" to be the top contender for the prize!
January 27, 2013
I am really NOT a fan of Tim Burton's dark and macabre stop-animated films. I have to admit I did not like his classics like "Corpse Bride" or "A Nightmare Before Christmas." I would not have watched "Frankenweenie" if it were not nominated for the Oscar for Best Animated Feature this year. Now that I have seen it, I'm afraid I would have to add "Frankenweenie" to that list.
"Frankenweenie" is about a boy Victor who just lost his beloved dog Sparky to a heart-breaking car accident. Inspired by his eccentric science teacher, Victor devised a machine to bring dear Sparky back to life. His friends try to copy his experiment set-up to revive other dead creatures with various disastrous effects, wreaking havoc on their town. The film is essentially a homage of sorts for the Frankenstein movies, with side tributes to other monsters seen in similar classic campy horror flicks of old.
First off, I believe this movie is not really for kids below 10 years old at all. The subject matter is way too mature, darkly intense and disturbing for their young sensibilities. The imagery of the dead coming back to life can be the subject of nightmares for many kids, especially those events that transpire in the second half of this film.
Technically, the stop animation here is a throwback to old-style unsophisticated-looking animation, in contrast with the very polished-looking stop-animation employed in a similar kiddie horror film released also last year, "ParaNorman." And that one had the more family-friendly horror story to boot. While, "Frankenweenie" might be one of the favored to win the Oscar for Animated Feature this year, I would not give it my vote.
January 24, 2013
I couldn't believe my eyes when I first saw the poster for "Hansel and Gretel: Witch Hunters" because it actually puts together my two favorite current movie stars, Jeremy Renner and Gemma Arterton! I liked Gothic interpretations of fairy tales like "Snow White and the Huntsman". And I also liked the "supernaturalization" of historical figures like "Abraham Lincoln Vampire Hunter" a lot. This film seems to be a cross of those two types, and so is one film I made sure I would watch this once it opened.
Hansel and Gretel starts as we all know them from the fairy tale, children left by their parents in the woods. They were lured by a house made of candy, and was captured by the wicked witch who lived inside. We all know how the tale ends, when Hansel and Gretel push the witch into the oven. But that was just the beginning of the movie, for that was when this brother-sister team launch their career as mercenary witch hunters. When a mysterious series of missing children terrorizes a small town, its mayor hires Hansel and Gretel to look for the witches responsible and kill them.
That was one shallow story line I know, but I really enjoyed myself while watching this movie. Yes, the gore factor was really high, but everything appeared to be done with tongue strictly in cheek. The actors Renner and beautiful Arteron are unquestionable bad-ass in their leather outfits, their fighting skills and their powerful weaponry! They fit the titular roles very well. You will meet a new, more interesting "Edward" here. The CG and production design were quite good and imaginative. It was fun to spot traditional witch lore in the scenes, even as they took liberties to invent their own lore.
As I mentioned, the film does not shy from bloody violence, as the envelope is pushed to graphically show various mechanisms of death, from crushing to exploding - close-up! There was a brief scene of a nude village beauty Mina (Pihla Viitala) as she seduces Hansel. There were even unexpected modern-day swear words during the witch battles. With all of these scenes, I do not really know how it got a PG-13 rating in this country! Anyway, despite and maybe because of all these surprises, I found the whole film a lot of grown-up fun, a very entertaining one and half hours.
After the movie, I found out that the director was Tommy Wirkola, the same guy who directed the Norwegian Nazi zombies in the snow movie "Dead Snow." So that is why his strange Tarantino-esque sense of humor is all over this film. I am a fan! I will be awaiting his next project. However, for all the fun I had watching this film though, I think they should be happy with what they have now. I think a H&G sequel would already be pushing their luck.
January 24, 2013
"The Impossible" was a true-to-life family drama set during the disastrous 2004 tsunami in Thailand. It was heart-pounding to see the gigantic devastating wave rise up so unexpectedly and heart-wrenching to see it completely destroy an entire unsuspecting town. The director did not spare us from the gory things that happen under the rampaging waters, where the humans (particularly, Naomi Watts) get seriously wounded with the various debris that hit them underwater.
We follow a family of five who miraculously survives the disaster. At first we only see the mom Maria (Naomi Watts), then her eldest son Lucas (Tom Holland). As Maria was taken to the hospital to treat her serious leg injury and Lucas looks after her, we see that her husband Henry and two younger sons also survive with minor injuries. Following a suspenseful series of near misses in the hospital, the family, and the audience, were rewarded with a gloriously touching, inevitably tear-jerking reunion scene.
I do not really understand why Naomi Watts is getting the lions' share of the awards buzz, even getting an Oscar nomination for Best Actress. In fact, young Tom Holland deserves it more with numerous difficult scenes he had to do when Naomi was already rendered bedridden by her severe injuries. Ewan McGregor was no slouch as well, but he had limited screen time compared to Naomi and Tom.
I thought that this film was too long, despite the fact that the tidal wave already struck within the first 10 minutes of the running time. We do not really know the central family that well. There were several scenes that seemed repetitive and just added on to prolong the basic story, or to heighten drama, like Naomi's slow-motion surfacing from the water scene. Apart from a few winning scenes, as a whole the film is, unfortunately, also water-logged.
January 23, 2013
Even as a child I was never a fan of clay animation like Gumby and the like. I just found them not too attractive or interesting. Therefore even as I grew up to be an adult, even more recent clay motion type of animation still did not interest me. This includes all the previous productions of Aardman Animations, home of "Wallace and Grommit" and "Chicken Run." Now this year, Aardman's latest output "The Pirates! Band of Misfits" made it as a nominee for the Oscar for Best Animated Feature, so I decided that this would be my initial taste of Aardman.
Truth to tell, "The Pirates!" did not really appeal to me at the start. The clay animation initially did not look too interesting and the dry British humor was not too easy to get. However, with some patience, when the story got to the part where this past-his-prime Pirate Captain (Hugh Grant) was joining the "Pirate of the Year" contest, I got hooked into the groove of the funny story. Since he could not cut it anymore as a real pirate, so, with the help of his odd but trusty crew, he had to resort to more, shall we say, "inventive" means to get the loot. I could not say much more without spoiling the hilarious plot, but I had a great time with the rest of the movie.
I don't think this is really meant for kids at all. The humor was pretty mature and more for the kids-at-heart. I think a lot of the humorous lines may just fly over the heads of many young kids. I don't know if there had been any controversy with the unorthodox way Charles Darwin (David Tennant) and Queen Victoria (Imelda Staunton) were portrayed in this film. Their inclusion of these historical personalities added another layer of interest for me, though maybe not necessarily for non-British kids who don't know . There were also important lessons about loyalty, integrity and honor. I personally enjoyed this film very much, and it piqued my interest to maybe check out other Aardman productions in the future.
January 22, 2013
I did not really plan to watch "Wreck It Ralph" at all because I do not really like the recent Disney output. I am unfamiliar with the characters and the title and poster did not look attractive to me. However, with consistently good word-of-mouth reviews, I felt I had to give it a shot. And yes, "Wreck It Ralph" deserves its good reputation, and I am glad I got to see it.
"Wreck It Ralph" is the brutish gorilla-of-a-man villain of a arcade video game called "Fix It Felix". After thirty years of being thrown off the side of the building, Ralph feels he wanted to be the hero for a change. So he ventures outside his game to neighboring combat game "Hero's Duty" to earn his very own medal (as he sees Felix get a medal after each game).
When he does get his medal, Ralph accidentally triggers a virus which attacks him and brings him into the Technicolor world of the racing game "Sugar Rush". There he meets the cute little glitch Vanellope who earnestly wants to join and win a race, but is not allowed to because of her imperfections. Can Ralph help Vanellope achieve her dream, save his video arcade world from viral destruction and be a real hero?
While everything in "Wreck It Ralph" seemed new and original, I could not help but feel the spirit of "Monsters Inc." all throughout the film. It had the same basic story of a lonely but despised "bad" guy who does good and becomes a hero for a change. Even the interconnected world behind the video arcade (where all the characters had a life after the arcade closes for the night) is reminiscent of the labyrinthine world behind the closet doors in "Monsters Inc."
Overall though, "Wreck It Ralph" remains to be fun and happy, with just the right dose of drama and action here and there to entertain viewers of all ages. The artwork of the characters and the settings is very colorful and visually arresting. This is definitely a contender for best animated feature film of the year. Its Oscar nomination is certainly deserved.
January 19, 2013
Since I have already watched all nine nominees for the Oscar for Best Picture for the year 2012, I believe I can now rank them and predict which one will go home with that biggest prize. I have ranked the nine nominees as follows ONLY based on the impression it had on me when I first watched and reviewed them. This of course does not mean that the Academy will think the same way.
1. LES MISERABLES 10/10 (Read my FULL REVIEW)
My being a theater geek catapulted this movie to Rank 1 in my list, despite the fact that this was the film I saw last. However, this movie did everything it set out to do, which was to create a definitive film version of the musical theater version of Victor Hugo's classic novel of rebellion and redemption. All those beloved songs were interpreted so beautifully on film. I want this movie to win the Best Picture grand prize. While its chances to win may be limited by the failure of Tom Hooper to get a nod for Best Director, I still trust the conservatives in the Academy will want to name this glorious musical as Best Picture.
2. SILVER LININGS PLAYBOOK 9/10 (Read my FULL REVIEW)
I do not really like romantic comedies as a genre. But there was something about this one that made it click with me. Maybe it is the great chemistry between Bradley Cooper and Jennifer Lawrence as the troubled depressed couple. Maybe it is the story of unlikely underdogs winning the big prize. Whatever it is, the Academy seems to like this movie a lot too. This is the first film since "Reds" to earn nominations for Best Picture, Director, Screenplay and all four Acting categories. Of course, "Reds" did not win Best Picture that time, so the big prize is not at all a sure thing.
.jpg)
3. LIFE OF PI 7/10 (Read my FULL REVIEW)
Ang Lee was able to interpret on film the deeply philosophical content of Yann Martel's best-selling novel about Pi, an Indian boy who survives a shipwreck, stranded a harrowing hundred days on a lifeboat with a Bengal tiger named Richard Parker. While I felt the story-telling scenes in the beginning and end felt dry, the sequences in India and on that lifeboat out in the Pacific were bursting with color, life and inspiration. Ang Lee had filmed the un-filmable.
4. ARGO 7/10 (Read my FULL REVIEW)
This was the first of the Best Picture nominees I watched. It had an unbelievable plot about rescuing Americans held hostage in Iran during the regime of the Ayatollah Khomeini by setting up a fake movie project where these hostages were supposedly the film crew. Ben Affleck, not really a favorite actor of mine (even in this film), was able to pull it off and direct an exciting film out of that true story that was really stranger than fiction.
5. DJANGO UNCHAINED 7/10 (Read my FULL REVIEW)
Being a Quentin Tarantino film, it was really very different from the rest of the nominated films on this list. It is offensively irreverent. It is relentlessly violent. It is so darkly funny. This is really what fans of Tarantino want and expect from him. He succeeds yet again by bringing the spaghetti Western genre to the deep South with bounty hunters and slaves. I know the conservatives in the Academy will not reward a film like this the Best Picture award, for now at least. Not yet.
6. LINCOLN 6/10 (Read my FULL REVIEW)
This is the type of historical movie that the Academy loves to reward with the Best Picture award, like "Gandhi," "Amadeus" or "The Last Emperor." Which means, this would have been a shoo-in for Best Picture if this was the 1980s. However, there had not really been a historical biography that had copped the big prize lately. I believe the last one was "Braveheart" back in 1994. Disappointingly, this film was not really about Lincoln the Man, as it was about how the Emancipation Proclamation was ratified. Though very well made by director Steven Spielberg, this limited topic did not exactly make for an exciting film.
7. AMOUR 6/10 (Read my FULL REVIEW)
This film about a wife made invalid by a serious stroke and her husband's devotion to her really had me getting very emotional as it went along. However it had a climax which did not appeal to me, and turned me off to liking this film fully. This was only the fifth film in history to have been nominated for both Best Picture and Best Foreign Language Film (along with "Z," "The Emigrants," "Life Is Beautiful" and "Crouching Tiger, Hidden Dragon"). While three of these went on to win Best Foreign Language Film (and lose Best Picture), "The Emigrants" (Sweden) did not win either nomination in 1971.
8. BEASTS OF THE SOUTHERN WILD 6/10 (Read my FULL REVIEW)
The film is a fable about an intrepid little girl named Hushpuppy, her dad and how they survive being the poorest of the poor in a Louisiana bayou. When a terrible storm destroyed their community and her dad was stricken ill, little Hushpuppy dealt with these events with her fantasies of glaciers and aurochs. This was too abstract for me to really like it that much. That does not mean it is a bad film though. Remember, it has a newcomer director Behn Zeitlin who made it into the final Best Director list ousting favorites like Tom Hooper, Kathryn Bigelow and Ben Affleck,
9. ZERO DARK THIRTY 5/10 (Read my FULL REVIEW)
When I first watched this movie, I felt only the last thirty minutes, which contained the excellently filmed Navy Seal raid on the secret lair of Osama Bin Laden in Pakistan, seemed to matter. Looking back on it, especially upon reflecting on that poignant, reflective, albeit very quiet, scene at the very end, everything in the excruciatingly slow first two hours suddenly made sense to me. I would probably rank it higher than this now if I watch it again.
January 17, 2013
The sweeping epic novel "Les Miserables" by Victor Hugo was first published in 1862. The story begins in 1815 when Jean Valjean was released from prison after a 19-year incarceration. It then follows Valjean and the people around him until the 1832 Paris Rebellion. In 1985, it became a musical with music by Claude-Michel Schonberg, French book by Alain Boublil and English libretto by Herbert Kretzmer. This highly-anticipated 2012 film version faithfully follows the story flow of this very successful, long-running musical. All of its many well-loved songs are all here, as envisioned for the big screen by Director Tom Hooper.
Hooper, who just won the Oscar for Best Director (and Picture) last year for "The King's Speech," employed very striking close-up shots of most of these very dramatic, heart- rending musical performances. It is well-publicized that Hooper also required his stars to be actually singing live during the take, and this fact makes the performances all the more amazing. It was also very good that they had added certain details from the original novel (like Fantine selling her teeth or Marius meeting his grandfather) to further enhance this latest version.
The trailer already endeared us to the haunting rendition of Anne Hathaway of Fantine's "I Dreamed a Dream." But what we see in the actual film, is Anne, emaciated with roughly-cut hair, singing that song in stark close-up, in one long single take, with deep stark emotion, while tears were flowing down her cheeks. This was perfection! Her Golden Globe win, Oscar nomination and likely Oscar win is absolutely deserved.
Hugh Jackman had a larger than life screen presence as Jean Valjean. I cannot imagine any other Hollywood star who has the physical and vocal attributes appropriate for the demanding role of Valjean, an ex-convict who spends his lifetime trying to make up for the sins of his past. Hugh is already an Tony-award winning musical theater star so his singing credentials cannot be questioned. We definitely could hear this voice his strong yet emotional renditions of "Soliloquy" and "Bring Me Home" in this film.
There may be vocal imperfections which may be due to voice fatigue due to the repeated takes of singing of these demanding songs live. However these "rough spots" nevertheless added to the drama of the songs. He went all out to look scraggly, gaunt and old as his role required. His Golden Globe win and Oscar nomination for this film is also very well-deserved. I would even go out on a limb and say that Hugh's performance as Valjean is more emotionally-stirring than Daniel Day-Lewis' was in "Lincoln." I want him to win that Best Actor Oscar.
The third member of the cast that I was most impressed with was Eddie Redmayne who played Marius. After watching and hearing him perform the shows most romantic and stirring songs like "A Heart Full of Love", "A Little Fall of Rain" and most especially, "Empty Chairs and Empty Tables," I was really surprised that he did not receive any awards consideration at all. He was really very good as the young romantic lead. He had good chemistry with both the fair Cossette (Amanda Siefried) and the tragic Eponine (Samantha Barks).
Many critics have been hard on Russell Crowe and his singing. It was not really that bad though, though his versions of "Stars" and "Suicide" were not exactly what we expect from stage performances. It is of course not fair to judge it this way since performance styles would be different in stage and screen. I would say that Crowe's version of these songs are introspective, as opposed to the bombastic version of stage Javerts.
Similarly, Samantha Barks would have portrayed Eponine differently when she was on the Broadway stage as she did in the film, where she had to sing both "On My Own" and "A Little Fall of Rain" drenched with actual rain, with a camera so close-up to capture every emotion on her face.
The vibrant cinematography, the production design, the accurate costumes all effectively capture the squalor and turmoil of Paris during that bleak period in French history. These technical aspects of the film are all fully deserving of awards as well. OK, being a theater geek, and I may be biased. But now that I have seen ALL nine nominees, in all fairness I can declare that "Les Miserables" is the most deserving movie for that Oscar Best Picture grand prize!
January 16, 2013
I have learned to take Quentin Tarantino films with a sense of fun. They may have so many offensive things about them, especially the gratuitous bloody violence and the excessively foul language. But they, this is what people want out of a Quentin Tarantino film! It would not be a Quentin Tarantino film without these mercenary things! And indeed, "Django Unchained" is a trove of them, 2 hours and 45 minutes of it!
Django (Jamie Foxx) is a slave sometime before the Civil War broke out. He was rescued from his new owners by dentist/bounty hunter named Dr. King Schultz (Christoph Waltz). As Schultz gives Django his freedom and makes him his partner, Django expressed his desire to find, rescue and reunite with his beautiful, German-speaking wife Broomhilda (Kerry Washington), who was now owned by the sadistic Calvin Candie (Leonardo DiCaprio). All hell breaks loose in Candieland when Django unleashes all his suppressed anger to get his wife back!
People who are not used to Quentin Tarantino style (or maybe even those who are) would shirk their eyes away from the screen many times for every cracking whiplash across a slave's back, every explosive shotgun shot going through a body and every bloody punch in that graphic Mandingo fight. Eventually, in the final Grand Guignol scenes, maybe everyone in the audience will already be desensitized despite the interminable fountains of blood that will shoot out of countless bodies in what seemed to be thirty minutes of continuous gunfire. That is classic Tarantino for you!
The actors all attack their roles with outrageous glee. Well all, except probably the lead star Jamie Foxx, who plays it "cool" in stark contrast with the rest of the hyper cast. Christoph Waltz already won the Golden Globe for Best Supporting Actor for his role of Schultz, but honestly for me, this is practically the same type of acting I saw from him in both "Inglorious Basterds" and "Water for Elephants." Now, Leonardo DiCaprio, I think he was robbed of a nomination here. He was evil incarnate here, such a different Leo from what we are used to seeing him in. Special mention would have to go to Samuel L. Jackson, whom I did not immediately recognize as the conniving Stephen, the sinister head manservant of Candieland. Those piercing eyes of his baleful glare were something else!
It was a great idea to bring the spaghetti Western genre to the deep South. The music was so 70s with those jangly guitars, except for the occasional anachronistic incursion of rap music. The sense of dark humor was all over it, under all that bloodshed and gore. There was a scene with cameos of Jonah Hill, Don Johnson and their KKK masks which was outright hilarious. Funny but I realized that THIS is how Tarantino would tell a love story!
But if you ask me if this will win the Oscar for Best Picture, my answer would probably be NO. I do not see this type of film appeal to generally conservative Academy voters. But the fact that it even made it to the final 9 Best Picture nominees is already recognition enough for QT.
January 14. 2013
Ever since I saw the first poster of Steven Spielberg's "Lincoln", with the intense Daniel Day-Lewis in excellent Lincoln make-up, I immediately knew this would already be seriously in the running during the Oscar Awards. And this was confirmed recently when this film garnered Oscar nominations in 12 categories. This is really a must-see film.
This film was only about the political (and some personal) travails Lincoln experienced as he was trying to pass the 13th Amendment or the Emancipation Proclamation through Congress. This is not a biographical film at all as I was expecting. There were no scenes of his birth, childhood, education, rise in politics, etc. I felt this movie was deceptively titled.
The technical aspects of this film were excellent as the cinematography, production design, costumes and make-up (not nominated!) were flawless. The color palette was muted to give it an authentic historical feel. Spielberg's obsessive attention to details and sentimentality, known from all his former films, was in full display here.
The acting was so perfectly attuned to the time period the actors were set in. Daniel Day Lewis IS Abraham Lincoln! He was amazingly real, I did not see him as acting as much as he was being Lincoln. I initially felt Sally Field was miscast, but she eventually redeemed herself in her effective portrayal of troubled Mary Todd Lincoln. Tommy Lee Jones as abolitionist Thaddeus Stevens had his big moment when he delivered a fiery speech against those opposing the amendment.
I think the main problem with this film was that it dealt with events which entailed showing people merely involved in a lot of long-winded conversations. The whole film was about 2 and a half hours long, and more than half of that time was just showing unknown politicians talking about their pro or con views about the proposed Amendment. Admittedly for non- Americans (and maybe some Americans too as I can read on some reviews here), these scenes will seem very dry, tedious and meaningless.
I was disappointed that this was not exactly the biography of Abraham Lincoln that I thought it would be. So gone was the opportunity of comparing the real way Lincoln grew up from the version I learned from another Lincoln film released in 2012 where the good President was a Vampire Hunter. Ironic too that we also did not also see the assassination we all knew would happen. Spielberg decided to present that event in another way, which I'm sure disappointed many people, including me.
4. Brave 6/10 (read my FULL REVIEW)
.jpg)
